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In “Fiction,” Two Novelists Engage in Deceit Through Their WritingsThe play ponders how truth in writing and life can be defeated by invention.By Lucy KomisarSteven Dietz’s “Fiction” is an often clever and intelligent work that plays with the notion of truth in fiction. That is, is there a point at which fiction, which is invented, can be judged as a truth or a lie? And what happens when novelists, whose trade is fiction, get so caught up in it that they invent important elements of their own lives?
Under David Warren’s fast-paced direction, the trajectory of their relationship is a fascinating game. They begin intellectual sparring when they meet at a café in Paris, and the rivalry continues between Linda, the professor who had only one novel in her, and Michael, who has become a successful hack writer of fiction that gets made into movies.
This is also a bit of an insider play, with a key section taking place in a writers’ colony called Drake. From the description – you eat communal breakfast and dinner but get lunch delivered to your cottage – it could be MacDowell, in Peterborough, New Hampshire, where I spent some months as a “fellow.” I’d like to tell Dietz that, yes, writers had affairs, but with each other, and not likely with a staffer like Abby (Emily Bergl), whose family started the colony and who dresses in an egregiously unbuttoned, very tight sports top. But maybe he knows something.
One is Linda’s novel, a story about a young American woman visiting South Africa who goes out with a black man, is stopped by two whites, raped, almost killed, and survive, while the young man is charged and convicted for the crime. It is based on a true experience in her life. The substance of the book is not discussed, but there’s a lot left unsaid. Why didn’t the young woman – a foreigner who would return home -- testify about what really happened? The other is Michael’s voluminous multi-volume diary which is largely about an obsessive affair with Abby Drake.
Though the story is hardly believable, it’s the kind of play you talk about and analyze out of the theater and into the street. Irwin is very convincing as the high-energy, arrogant Michael, a man with a very big writer’s ego. Julie White is also persuasive as the serious New York-accented professor. You’ve seen them both around town. I loved the quips and one-liners, which reminded me of Tom Stoppard: “Do you know how hard it is to do something unromantic in Paris? Paris is one big satin sheet.” “If you wanted excitement, you would have married Plath.” “Film is called a medium because it is neither rare nor well done.” Michael acknowledges that, as a writer, he’s really good only at envy and criticism, and he doesn’t like to write, he likes to have written.” So do we all! "Fiction." Written by Steven Dietz. Directed by David Warren. Starring Julie White, Tom Irwin, Emily Bergl. Roundabout Theatre Company, Laura Pels Theatre, 111 W. 46 Street, New York. Tues-Sat 7:30, Wed, Sat & Sun 2. Running time: 1:50. $51.25-$61.25. 212-719-1300. Through Sept. 12, 2004. http://www.roundabouttheatre.org. Images by Joan Marcus. |
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TM
For
these two novelists, the fiction in their lives includes the story of a
successful novel that Linda (Julie White) has written and the theme of the
journal that her husband Michael (Tom Irwin) has kept during their 20-year
marriage.
When
they suddenly discover that she will soon die of brain tumor, he can hardly
refuse her request to read his journals. What transpires is a trick reversal
that plays games with what is real and what is fiction, and asks whether
one’s fictional imaginings should be judged – morally -- as if they were
real. Both the wife and the husband have cheated, partly in their writings
and partly, by extension, in real life. 
The
plot revolves around two pieces of writing that in some way involve fiction
atop fiction. 
Both
writers discover that the other has lived a lie. A fiction. And that Abby in
a curious way has been muse to both of them. 