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People Are Saying Really Nice Things About Little Shop of Horrors
At the Dallas Music Hall in Fair Park August 10 to 21
“A FLAWLESS NEW STAGING OF A BRILLIANT MUSICAL!”
—Clive Barnes, New York Post
“Giant killer plant conquers Broadway!”--Terry Teachout,
The Wall Street Journal
And
now, LITTLE SHOP OF HORRORS, the classic musical based on the 1960 Roger
Corman film, is coming to conquer Dallas, with an all-new production
directed by Jerry Zaks and choreographed by Kathleen Marshall. This
production opened on Broadway October 2003, and now LITTLE SHOP OF HORRORS
is making house calls, including a stop at the Music Hall in Fair Park from
August 10-21.
Tickets to Little Shop of Horrors are on sale now,
priced from $11--$75, available at The Box Office at 542 Preston Royal
Shopping Center with no added service charge. For groups of 20 or more,
call 214-426-GROUP. For more information, call 214-691-7200. Tickets are
also available at all Ticketmaster locations, including Fiesta, Foley’s,
Wherehouse Music, Tower Records, and The Majestic Theatre Box Office, 1925
Elm Street; by phone at 214-631-ARTS; or online at
www.ticketmaster.com. Service charges will be added for Ticketmaster
purchases.
LITTLE SHOP OF HORRORS, the show Clive Barnes of the
New York Post dubbed “wondrously entertaining,” features book and lyrics by
the late Howard Ashman and music by Alan Menken (The Little Mermaid, Beauty
and the Beast, Aladdin) and includes such well-known musical numbers as
“Somewhere That's Green,” “Suddenly Seymour” and the title song.
LITTLE SHOP OF HORRORS is the story of Seymour
Krelbourn, a meek Skid Row florist who makes a Faustian pact with a tiny
plant in order to win the heart of Audrey, the girl he loves. While Audrey
doesn’t notice the romance blooming between them, she does recognize the
moneymaking potential of the exotic little plant. Soon money pours in and
Seymour becomes a celebrity, but behind the glamour and fame lies a secret
Seymour can’t reveal – this strange and unusual plant’s favorite food
is…human blood. As the plant grows, its demands for food grow too, and
Seymour starts to suspect that the plant might have an agenda larger than
light and soil.
LITTLE SHOP OF HORRORS features a spectacular,
planet-panicking plant designed by The Jim Henson WorkshopTM and Martin P.
Robinson. “Sexy, smooth, witty, ruthless, and hungry, the plant dominates
this sharp and funny revival,” says the New York Post. Mr. Robinson
previously designed the plant used in the original 1982 Off-Broadway
production. Audrey II, as the bloodthirsty puppet is called, features a main
pod the size of a Mini Cooper and has the ability to rise 23 feet into the
air. Orchids are the inspiration for Audrey II’s color scheme, more
specifically, a Venus Ladyslipper.
LITTLE SHOP OF HORRORS features scenic design by Scott
Pask, costume design by William Ivey Long, lighting design by Donald Holder,
sound design by T. Richard Fitzgerald, music supervision by Michael Kosarin
and music direction by Henry Aronson.
LITTLE SHOP OF HORRORS had its world premiere at the
WPA Theatre on May 6, 1982. It subsequently transferred to Off-Broadway's
Orpheum Theatre on July 27, 1982, where it ran for an unprecedented 2,209
performances.
Little Shop of Horrors will play the Music Hall at Fair
Park, presented by Dallas Summer Musicals, Tues., August 10 through Sat. ,
August 21. The performance schedule will be as follows:
8 p.m. Tues. Aug. 10
Preview performance
8 p.m. Wed. Aug. 11
Official Opening Night
8 p.m. Thurs. Aug. 12
8 p.m. Fri. Aug. 13
2 & 8 p.m. Sat. Aug. 14
2 & 8 p.m. Sun. Aug. 15
8 p.m. Mon. Aug. 16
8 p.m. Tues. Aug. 17
8 p.m. Wed. Aug. 18
2 & 8 p.m. Thurs. Aug. 19
8 p.m. Fri. Aug. 20
2 & 8 p.m. Sat. Aug. 21
(no performance Sunday, Aug. 22)
August 31-Sept. 12, Joseph and the Amazing Technicolor
Dreamcoat returns to the Music Hall. One of the most popular shows in DSM’s
64-year history, Andrew Lloyd Webber’s adaptation of the Biblical story is
as colorful as Joseph’s coat of many colors. The dazzling new touring
version is also a co-production of DSM.
Sept. 28-Oct. 17, Jesus Christ Superstar, this first
masterpiece from the legendary writing team of Tim Rice and Andrew Lloyd
Webber, was originally produced in 1971. The magnificent new production
proves this musical is as timely and relevant as ever. Jesus Christ
Superstar will be the 2004 State Fair of Texas musical.
Season sponsors for Dallas Summer Musicals are American
Express Company, The Dallas Morning News, WFAA TV, 94.9 KLTY,
WWW.FREEMANAUTO.COM, and American Airlines. For more information about
Dallas Summer Musicals, please call 214-421-5678, or visit their website at
www.dallassummermusicals.org.
Book and Lyrics by HOWARD ASHMAN
Music By ALAN MENKEN
Based on a film by Roger Corman, Screenplay by Charles
Griffith
Choreographed by KATHLEEN MARSHALL
Directed by JERRY ZAKS
CREATIVE BIOGRAPHIES
HOWARD ASHMAN (Book and Lyrics). A native of Baltimore,
Maryland, Howard Ashman moved to New York City in 1974 and began writing
plays while working as an editor in a publishing house. His work attracted
attention and he became WPA Theatre’s artistic director in 1977. In 1982,
Ashman collaborated with composer Alan Menken on the musical Little Shop of
Horrors. The team of Ashman and Menken later shifted their focus to movies
creating some of the songs for The Little Mermaid (1989). One of the songs,
“Under the Sea,” earned a 1989 Academy Award. Ashman then wrote the lyrics
for the songs in the Disney animated films Beauty and the Beast (1991),
winning a second Academy Award for the title song. He turned out more songs
for a third Disney animated film, Aladdin (1992), before his death from AIDS
on March 14, 1991 at the age of 40.
ALAN MENKEN (Music). Stage credits include: Little Shop
of Horrors, Beauty and the Beast, A Christmas Carol, King David, God Bless
You Mr. Rosewater, Real Life Funnies, The Apprenticeship of Duddy Kravitz,
Weird Romance and a stage musical adaptation of The Hunchback of Notre Dame
produced in Berlin. Stage awards include: Best Score - Tony Nomination,
Outer Critics Circle Award; Best Musical – N.Y. Drama Critics Award, Drama
Desk Award, London Evening Standard Award, Olivier Award, Dora Award, Outer
Critics Circle Award and the L.A. Drama Critics Award. Film credits include:
The Little Mermaid, Beauty and the Beast, Aladdin, Newsies, Pocahontas, Life
with Mikey, The Hunchback of Notre Dame and Hercules. Film awards include:
four Academy Awards and three Golden Globe Awards for Best Score, four
Academy Awards and four Golden Globe Awards for Best Song (“Under the Sea,”
“Beauty and the Beast,” “A Whole New World,” “Colors of the Wind”), Other
notable achievements: ten Grammy Awards, including Best Song of the Year (“A
Whole New World”), a Billboard #1 Album (“Pocahontas”) and #1 Single (“A
Whole New World”) and BMI's Richard Kirk Award. Other credits include: The
score for “Lincoln” (ABC Mini-Series), the songs “My Christmas Tree” from
Home Alone 2 and “The Measure of a Man” from Rocky V. Upcoming: a new
animated musical, Home on the Range, a stage adaptation of The Little
Mermaid, and a new musical based on the Damon Runyon short story “Little
Pinks” entitled The Ballad of Little Pinks.
JERRY ZAKS (Director) has directed the New York
productions of: A Bad Friend, The Man Who Came to Dinner, Guys and Dolls,
Six Degrees of Separation, Lend Me a Tenor, The House of Blue Leaves,
Anything Goes, The Front Page, A Funny Thing Happened…, Smokey Joe’s Cafe,
45 Seconds from Broadway, Laughter on the 23rd Floor, Assassins, The
Foreigner, Wenceslas Square, The Marriage of Bette and Boo, Sister Mary
Ignatius..., Baby with the Bathwater and Beyond Therapy. He also directed
the award-winning film Marvin’s Room starring Meryl Streep and Diane Keaton.
Mr. Zaks served as Resident Director at Lincoln Center Theater from 1986
-1990 and is a founding member of the Ensemble Studio Theatre. He has
received four Tony awards, four Drama Desks, two Outer Critics Circle
Awards, an Obie, and an NAACP Image Award nomination for his national tour
of The Tap Dance Kid. He also directs episodes for the long running hit
comedies “Everybody Loves Raymond” and “Frasier.” A graduate of Dartmouth
with an MFA from Smith, he received the George Abbott Award for Lifetime
Achievement in the Theater in 1994, and an honorary Doctorate of Fine Arts
from Dartmouth in 1999. Since 1990 he has been proudly affiliated with
Jujamcyn Theaters.
KATHLEEN MARSHALL (Choreographer) directed and
choreographed the Broadway revival of Wonderful Town and forthcoming Pajama
Gane; choreographed the Broadway productions of Follies (Outer Critics
Circle Award nom.); Seussical; Kiss Me, Kate (Tony, Drama Desk, Outer
Critics Circle and Astaire Award noms.); Ring ‘Round the Moon (LCT); 1776
(Roundabout) and Swinging on a Star (Drama Desk nom.). In the West End, she
choreographed Kiss Me, Kate (Olivier Award nom.). She directed and
choreographed Carnival, Hair, Wonderful Town and Babes in Arms for City
Center Encores!, where she was the Artistic Director for four seasons.
Off-Broadway, she directed and choreographed Saturday Night (Second Stage),
the New York premiere of Stephen Sondheim’s first musical, and choreographed
Violet (Playwright’s Horizons) and As Thousands Cheer (Drama Dept). She
choreographed the national tours of Kiss Me, Kate and Sunset Blvd. and
directed a reunion concert of the original cast of Merrily We Roll Along for
Musical Theatre Works. She recently choreographed “The Music Man” starring
Matthew Broderick for ABC/Disney.
The Jim Henson Company (Puppet Design) an established
leader in family entertainment for more than 45 years, is a multimedia
production company; one of the top character licensors in the industry; a
leading publisher of children’s books and home to Jim Henson Television, Jim
Henson Pictures, Jim Henson Interactive, Jim Henson Home Entertainment and
Jim Henson’s Creature Shop™. The Company is headquartered in Los Angeles
with offices and production facilities in New York and London.
www.henson.com.
MARTIN P. ROBINSON (Puppet Design) has been a
professional puppeteer since discovering that it was the perfect link
between acting and sculpture. A 1974 graduate of the American Academy of
Dramatic Arts, he has won Emmys for his performances as Snuffleupagus, Telly
Monster, Slimey the Worm and the “Yip-Yip” Martians on Sesame Street. Martin
designed, built and performed the plant in the original Off-Broadway
production of Little Shop for which he received a Drama Desk Award and a LA
Drama Critics Award.
SCOTT PASK (Set Design). Credits include the upcoming
Broadway revival of La Cage Aux Folles; Take Me Out; Nine (revival),
Urinetown, Tales from Hollywood (Donmar Warehouse, London), Neil LaBute’s
Bash in N.Y., L.A. and the Almeida Theatre in London, national tours of
Spirit, Godspell (2000-2001 production), The Dumbwaiter/Zoo Story
(Williamstown Theatre Festival). Off-Broadway: The Mineola Twins
(Roundabout, Co-Design, 1999 Lortel Award, ATW Henry Hewes Award), The
Beginning of August (Atlantic Theatre Co.), Refuge (Playwrights Horizon),
Slanguage, The Gimmick, Love’s Fowl (NYTW), The Bomb-itty of Errors, The
Donkey Show, Boys Don’t Wear Lipstick. Also The Way of the World, Richard
III (Yale Rep.), Alliance Theatre Co., Portland Center Stage, Lincoln Center
New Visions, Joyce Theater, BAM.
WILLIAM IVEY LONG (Costume Design) currently has five
shows running on Broadway: Hairspray (Tony, Drama Desk Awards), The
Producers (Tony, Drama Desk, Outer Critics Circle Awards) and first national
tour, Cabaret New York, Australia, Chicago New York, London, Melbourne,
Vienna, Stockholm, Amsterdam, Moscow. Other credits include Thou Shalt Not,
45 Seconds from Broadway, The Music Man, Annie Get Your Gun, The Man Who
Came to Dinner, Swing!, The Mystery of Irma Vep, Steel Pier, 1776, Smokey
Joe's Cafe, Crazy for You (Tony, Outer Critics Circle Awards), Guys and
Dolls (Drama Desk Award), A Christmas Carol, Assassins (Obie Award), Lend Me
a Tenor (Drama Desk, Outer Critics Circle Awards), Nine (Tony, Drama Desk,
Maharam Awards), Robert Wilson's Hamletmachine, Bernstein's A Quiet Place
and Trouble in Tahiti, The Lost Colony, Vienna State Opera, LaScala, Houston
Grand Opera, the Kennedy Center.
DONALD HOLDER (Lighting Design). Broadway credits
include Movin’ Out, Ma Rainey’s Black Bottom (2003 revival), Thoroughly
Modern Millie, The Lion King (1998 Tony, Drama Desk, Outer Critics Circle
awards), King Hedley II, Juan Darien (Tony and Drama Desk noms), The Green
Bird, Hughie, Bells Are Ringing, Holiday, Voices in the Dark, Eastern
Standard and The Boy From Oz . Off-Broadway: A Man of No Importance, Everett
Beekin, Jitney, Sight Unseen, Three Days of Rain, Strike Up the Band,
Communicating Doors , The Most Fabulous Story Ever Told, The Caucasian Chalk
Circle, Spunk, Avenue X, Jeffrey, Sondheim’s Saturday Night and others.
T. RICHARD FITZGERALD (Sound Design). 1993/94 Drama
Desk Award nom.: Outstanding Sound Design for Beauty and the Beast. 1996
Theatre L.A. Ovation Awards nom.: Best Sound Design (Larger Theatre) for An
Inspector Calls. 2000 Lucille Lortel Award nom.: Best Sound Design
Off-Broadway for 4 Guys Named Jose. Broadway sound design credits: Annie,
42nd Street, Zorba, The King and I, An Inspector Calls, Translations,
Dancing at Lughnasa, Beauty and the Beast, Peter Pan, Singin' in the Rain,
Show Boat, Brigadoon, The Dresser, Cat on a Hot Tin Roof, The Sunshine Boys,
Freak, Electra, Rocky Horror Show, Sexaholix, Broadway on Broadway.
HENRY ARONSON (Music Director) has been the Music
Director of Rent, The Rocky Horror Show and Starmites on Broadway, and
Off-Broadway’s 3 Guys Naked from the Waist Down; Associate Conductor of
Saturday Night Fever and Parade (B’way). Other New York M.D. credits include
Playwrights Horizons, Naked Angels and La Mama ETC, regional M.D. credits
include A Fine and Private Place at Goodspeed, Animal Fair at the Denver
Center, Heart’s Desire at the Cleveland Playhouse, Falsettos at Hartford
Stage, Fanny Hackabout-Jones at Long Wharf, Mail at the Pasadena Playhouse,
and A…My Name Is Still Alice at the Old Globe. He has composed and arranged
for the Family Channel and Nickelodeon, written orchestrations for
Baryshnikov & Co., and orchestrated the full-length Pirates! ballet for the
Queensland (Australia) Ballet.
THE ROUTH • FRANKEL • VIERTEL • BARUCH GROUP
(Producer). Marc Routh, Richard Frankel, Tom Viertel and Steven Baruch have
produced and general managed a wide range of plays and musicals on and off
Broadway, in London and on tour for the past 18 years. Currently: Hairspray,
The Producers and Stomp. Previous productions include Swing!, The Sound of
Music, Smokey Joe's Cafe, The Weir, A Funny Thing Happened..., Angels in
America, Driving Miss Daisy, Penn & Teller, Frankie and Johnny in the Clair
de Lune, Oleanna, Mnemonic, The Cocktail Hour, Love Letters, Marvin's Room,
The Mystery of Irma Vep, The Most Fabulous Story Ever Told, Forever Tango,
Damn Yankees, Jeffrey, Song of Singapore, Later Life and others. Their shows
have been awarded 31 Tonys, 27 Drama Desk Awards, 20 Outer Critics Awards,
four Grammys and two Pulitzers. They are the operators of the Arts Theatre
in London's West End.
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