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Geoglyphs and Glaciers in the Land of Fire and IceBy Joyce Dalton
The 2,600-mile hop from top to bottom of this sliver of a country takes travelers about as far as they can go and still sleep in a hotel.
The city retains traces of its frontier days when fortunes were made from sheep and gold, as well as shipping. Near the airport stands a wooden church whose bright yellow paint defies not only the often fierce natural elements, but local brujos (witches). Settlers from the island of Chiloe brought along their belief in men who turned into animals that fly at night, bringing sickness to the community.
From Punta Arenas, most visitors move on to Puerto Natales.
Buses make the four-hour trip daily, but a car allows for interesting stops en
route. Rheas, flightless ostrich-like birds, run near the road. Cowboys, with
only their dogs and horse for companions, herd sheep or cattle. Low flowering
plants lend splashes of yellow and white to an otherwise barren landscape. Small
shrines, known as aninitas, or “little souls,” dot the road.
At Kon-Aiken, a large estancia (farm) whose name means Place of Wind, a narrow road leads to pinguineros, where, from November to March, colonies of penguins bear their young in burrows hollowed from the sandy soil. Tourists can observe and photograph the ever popular creatures in living black and white.
Tourist boats ply the Seno Ultima Esperanza. At first,
passengers view a “great expanse of nothing,” as one disgruntled visitor put it.
Be patient.
En route to Torres del Paine National Park, about 75 miles
from Puerto Natales, take a look at Milodon Cave, discovered in the 1880s by a
German named Hermann Eberhard, brother of the pencil king.
Torres del Paine’s fame as a beauty spot is well-deserved. Lakes and spectacular mountains abound, most notably the peaks known as Cuernos (horns) and Torres (towers). Guanacos, relatives of camels and llamas, graze near park roads and are not camera-shy. Hiking trails cover much of the park’s 934 square miles.
Designed by Eiffel, he of the Paris tower, Arica’s pretty blue and white church’s metal sections once served as ballast for 19th century clipper ships. The city’s sea wall of angled concrete pillars would look right at home in a museum of modern art. In fact, for one just arriving from the south, the resemblance to jagged glacier formations, minus the blue glare, is striking. More geoglyphs lie off the Pan American highway between
Arica and the city of Iquique, 186 miles to the south. Measuring almost 400 feet
in length, the Giant of the Atacama is the world’s largest geoglyph as well as
the largest known representation of a human figure.
At Pintados, some 400 images cover the entire side of a mountain ridge. The earth below is baked, split and often salt-tipped. All in all, it’s an eerie scene. A number of almost-ghost towns dot the area. Huara, for
example, was an important nitrate-mining center 100 years ago.
To some, Iquique exudes a sort of laid-back Key West
ambience. A 19th century bell tower, the city’s symbol, dominates the central
plaza. Surrounding the square are several nice colonial structures, including a
late 19th century opera house, said to be one of only three wooden opera houses
in the world. Originally shipped in sections from England, the building once
hosted such greats as Enrico Caruso and Sarah Bernhardt.
South, north or a bit of both, travel in Chile insures a trip rich in experiences, be they cultural, scenic or adventurous. For further information …. Embassy of Chile. www.chile-usa.org |
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