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Rumor Has It
Reviewed by Madelyn Miller, the Travellady
I
could be Mrs. Robinson. Not that my legs are as good as Shirley McLaine’s. But I
have had an affair with someone who would be more appropriate for my daughter.
I have lots in common with Jennifer Anniston. Once upon a
time I had long blonde frosted hair. And at one time, we both had a crush on
Brad Pitt.
But now we are both older and wiser.
And that’s exactly what makes RUMOR HAS IT so charming.
Most “sequels” seem to be based on super heros or science
fiction stories. This is a real life story of what could have happened 30 years
later.
And I think I liked RUMOR HAS IT, even more than THE
GRADUATE.
IN RUMOR HAS IT, Sarah Huttinger (JENNIFER ANISTON) is in a
tailspin.
She
has agreed to marry her boyfriend, Jeff (MARK RUFFALO), but is terrified of
going through with it. Her journalism career has stalled out at the obituary
desk of The New York Times. And now, her sister, Annie (MENA SUVARI) is
plunging into marriage with her tennis partner and Sarah must return home to
Pasadena, California, to attend the wedding …which means spending time with her
family.
For as long as Sarah can remember, she has been the black
sheep of her family, never knowing where she fits in. While she loves her
father and sister, she can’t relate to their contented lives of country clubs
and tennis matches. And for her, going home is like staring down the gauntlet
of the dull, settled-down life she fears is yawning out before her.
The
only thing that makes the trip bearable is the company of her acerbic
grandmother Katharine (SHIRLEY MacLAINE), who lets it slip that Sarah is not the
first one in the family to get cold feet – that, in fact, thirty years ago,
Sarah’s late mother ran off with a mysterious young man days before her wedding
to Sarah’s father.
Curiously, around the same time, there was a rumor about a
young woman who ran off with a young man who had been seduced by the woman’s
mother, creating a huge scandal in Pasadena. The rumor became a book, and the
book became a film. Now, in the midst of her sister’s wedding, Sarah finds
herself frantically searching for a copy of 1967 film The Graduate, believing
her family may have been the inspiration for the story, with Katharine as the
older woman and Sarah’s own mother as the young man’s true love. Which leaves
one question: who is the young man?
Believing the long-ago story may hold the key to her true
identity, Sarah puts Jeff on a plane to New York and detours to San Francisco to
look up her mother’s classmate, Beau Burroughs (KEVIN COSTNER), who is now a
famous internet billionaire.
What
she finds is definitely not her long-lost father, but someone even she could
fall in love with … or at least into bed. This strange encounter with a man who
embodies all the adventure and excitement she thought she longed for leads her
spiraling back to what she knows best and understands least – her family.
This film has been rated “PG-13” by the MPAA for “mature
thematic material, sexual content, crude humor and a drug reference.”
Rumor Has It…will be distributed worldwide by Warner Bros.
Pictures, a Warner Bros. Entertainment Company, and in select territories by
Village Roadshow Pictures.
www.rumorhasitmovie.warnerbros.com
ABOUT THE STORY
Rumor Has It… unfolds in the sedate, settled, “old money”
Los Angeles suburb of Pasadena. “Pasadena is that perfect, very proper,
stratified enclave,” comments Paula Weinstein (Monster-In-Law, Analyze That),
who produced the film with Ben Cosgrove (Good Night, And Good Luck).
“Everything is done by the rules; everybody goes to the same country club, they
shop in the same stores and they know everyone on the block. It can seem rather
oppressive and very dull.”
Native
to this habitat is the Huttinger family: father Earl (Richard Jenkins), daughter
Sarah (Jennifer Aniston) and her younger sister, Annie (Mena Suvari). Sarah’s
mother, who married while still a young and beautiful woman, passed away when
Sarah was nine.
“Sarah is confused and unsure of where she’s going and who
she is,” says Jennifer Aniston, who shot to fame as one of the stars of
television’s Friends and has distinguished herself in such films as The Good
Girl and Bruce Almighty. “I think this stems from the fact that she feels
there’s a big piece of herself missing because she has always felt disconnected
from her family, especially after her mother’s death.”
Sarah’s been living in New York, pursuing a journalism
career that seems to have peaked at writing wedding announcements and obituaries
for The New York Times. The ambivalence she feels toward her job and family is
echoed in her relationship with her fiancé Jeff – whom she is terrified of
actually marrying.
“Sarah is frightened of being sucked into her family’s
staid way of life,” comments director Rob Reiner, who has helmed some of the
most successful and influential comedies of all time, including When Harry Met
Sally… and This is Spinal Tap. “She not only wants more adventure, she feels
like she might be settling for something that isn’t a true extension of who she
is. Her fear is that she will lose herself in a middle class lifestyle.”
When Annie’s wedding brings Sarah back to Pasadena, their
dad welcomes Jeff like a son...but Sarah is reluctant to reveal to anyone that
they’re engaged. “Jeff is a decent guy with pretty clear intentions,” says Mark
Ruffalo, who has been widely praised for his work in dramas and comedies alike,
such as You Can Count on Me, Eternal Sunshine of the Spotless Mind and Just Like
Heaven. “He’s in love with Sarah and is looking forward to getting married.
Then he sees her spin out into indecision and reticence about their commitment.
She is really not sure about the decision she made when she accepted Jeff’s
proposal. She’s terrified of making any decisions or choices. By not telling
anyone about her engagement, she’s avoided making a choice.”
By
contrast, Sarah’s sister can only scream and giggle about the prospect of being
married. Unlike Sarah, Annie is buoyant and bubbly – or as Sarah puts it, “My
sister likes to bounce.”
“Annie and Sarah probably have gotten along throughout
their lives because that’s what would be expected of sisters in Pasadena,” notes
Mena Suvari, star of American Beauty and the first and second chapters of
American Pie film series. “But I don’t think they spent much time emotionally
with one another.”
Sarah can’t believe her sister is plunging into marriage
with such ease. To her, it looks alarmingly like the end of any possible
excitement and the beginning of stultifying boredom. “Annie races into life
pell-mell and doesn’t really think about it too much,” says Suvari. “At one
point Sarah asks her if she’s scared and Annie says Scared of what? She just
doesn’t get it and seems bemused that her sister would even ask such a dumb
question.”
In the Huttinger household, everyone sticks to safe topics
– sports, tennis, fishing. Consequently, “Sarah has never been able to explore
or understand those things she felt were missing from her connection to her own
family,” says Aniston. “She’s a little like Mount St. Helens – ready to erupt.
What we see in the film is her journey to finding her voice so that she can make
the right choice.”
As Sarah, Aniston touches a universal chord that many
people experience as they lock into a path that will define their future.
“Jennifer takes us through Sarah’s emotional journey,” Reiner describes. “She’s
sexy and adorable and plays comedy as well as very real emotion. It’s a rare
combination to find in someone.”
Richard Jenkins plays Earl Huttinger, the quiet anchor of
the family. “On the surface, Earl seems oblivious to any tension or feeling of
unease on Sarah’s part,” says Jenkins, an acting veteran who is one of the stars
of the acclaimed television series Six Feet Under as well as the film North
Country. “But I don’t think he is. He just chooses to deal with it when he
feels that it has really become an issue with her. Then he steps forward and
tells her what he thinks she needs to know.”
The most sympathetic ear in the place belongs to Sarah’s
“mother’s mother,” Katharine (who detests the moniker of “Grandma”), played by
Shirley MacLaine. Reiner says he was ecstatic to have the opportunity to work
with the screen legend, who has been nominated for six Academy Awards, winning
in 1984 for her inimitable performance in Terms of Endearment. “She’s
brilliant,” the director enthuses. “She has an edge to her that was perfect for
the role of Katharine, who is a kind of movie star living in this stolid
Pasadena community. Shirley knew exactly how to play her.”
“Shirley
is the definition of a firecracker,” Aniston says. “I’ve worshipped this woman
– she is one of my idols, and I still can’t believe that I had this opportunity
to work with her. She’s absolutely fantastic in every way.”
“Katharine has survived in this Pasadena milieu because of
her rebellious nature and almost reckless, salty humor,” says MacLaine of her
character, who reveals that Sarah’s mother ran off to Cabo San Lucas to be with
another young man who wasn’t Sarah’s father the week before she was married,
returning just in time for the wedding.
“When Sarah begins to question her, Katharine doesn’t want
to get into it,” MacLaine continues. “She doesn’t want to hurt her son-in-law’s
feelings and she really doesn’t want to tell the whole story of what happened
between herself, her daughter and their common lover.”
To make matters impossibly more complicated, Sarah then
learns through her Aunt that this young man was a classmate and best friend of
the author of the long ago novel, The Graduate. “Sarah is shocked,” Weinstein
says. “She has never heard this story about her mother. She always imagined
her mother as the most straight, nice, sweet homemaker. The idea that she was
feeling trapped, exactly what Sarah’s now feeling, is astonishing to her. Did
her mother run away to escape and have something exciting happen to her or was
it simply a romantic tryst?”
All of this new and intriguing information sends Sarah into
a fog in which she wonders if perhaps she might be the offspring of that
romance. To decipher the puzzle of her lineage, Sarah sets off on a treasure
hunt – to find the man who may be the missing piece of her life. “In the midst
of her sister’s wedding, she opens this Pandora’s Box, which would explain why
she is so unlike her father or her sister,” says Aniston. “She looks different;
she doesn’t like to play tennis; she drives faster than they do. Suddenly, all
of those differences make sense to her, so she goes on a quest to figure out: if
she isn’t a Huttinger, who is she? And who is her dad?”
Jeff is willing to go along with Sarah’s quest to try to
find out who she really is –but he doesn’t foresee just how strange the
situation is going to become. “He really doesn’t care who her father is,” says
Ruffalo. “But that patience ends up biting him in the behind and nearly ruining
his chances with her forever.”
Reiner notes that Ruffalo infused his character with quiet
strength to offset the uncomfortable position in which Jeff finds himself. “His
is a difficult role because he is in this role reversal,” says the director.
“He’s playing the female part in a traditional romantic comedy, yet he has to
show real masculine strength. Mark is one of the great American actors that we
have today – he’s incredibly sexy and handsome and can subtly blend comedy and
drama, vulnerability and strength.”
At the heart of Sarah’s conflict is her fear that somehow a
chance for any adventure in her life will end with marriage. And when she
finally encounters the man her mother ran off to meet in Baja California all
those years ago, she too comes under his spell.
“Beau Burroughs is the fantasy for three generations of
women,” says Reiner. “He represents adventure and excitement – another kind of
life, the dream of a life that might be out there yet. In a weird way, you have
three generations of women that have taken this little detour through
Beau-country in order to find out who they are. He represents that life we
think we want, the life we think we should have – the one that’s just around the
corner that we might be missing out on.”
Kevin Costner, who has delivered powerful performances in
films such as Dances With Wolves, The Bodyguard, Robin Hood: Prince of Thieves
and, most recently, The Upside of Anger, plays Beau Burroughs, the mystery man
in the Huttinger family’s life. “Beau is a highly successful, ambitious guy who
is known in the computer world as someone who recognizes trends,” says Costner.
“When Sarah finds him, he’s probably working on the third or fourth company that
he has bought and sold, very successfully.”
“Kevin
is one of the most charming men alive,” comments Weinstein. “He’s very
debonair, a throwback to the old-time movie stars. He’s worldly and at the same
time, very direct and down to earth. He makes it very believable that Beau
could have had this affect on Sarah, her mother and her grandmother.”
Beau is an enormously successful free spirit who offers
Sarah a shoulder to cry on as she reels from the knowledge that it would have
been impossible for him to be her father. “So, in essence, she is back at
square one,” says Aniston. “The answer she thought she had found turns out not
to be an answer at all.”
Later, after they’ve spent the night talking, Sarah finds
she wants to kiss Beau. “She has big questions about her life and is in this
crisis period of approaching marriage,” says Costner, “and talking to Beau takes
away her anxiety in some ways. She’s relieved and relaxed but also very
vulnerable. You combine that with a little bit of alcohol and that completes
the trifecta, if you will.”
After a night together, Sarah is inevitably left with the
choice she has put off making: is she ready to make a commitment to Jeff, or
escape into a thrilling but ultimately temporal fling with Beau? “Beau points
out in the film that It’s the women in the family who came after me,” says
Weinstein. “He’s the Pied Piper who says You don’t have to be committed to any
one thing. You can do what you want to do. He is the antidote to fearing that
you’re going to lose your own voice, lose your way. That’s very seductive to
Sarah because it’s precisely that feeling of being trapped that has thrown her
into flux the first place.”
This
unraveling of the knot is rich territory for Reiner, who throughout his career
has explored the at once difficult and exhilarating dimensions of
relationships. “Rob can find the humor and the empathy in any emotional
situation and make it truthful,” Weinstein says. “He understands the emotion of
wanting to be committed and wanting to run out the door at the same time. So in
each situation, in each scene, he’s able to mine what is truthful and what is
identifiable and make it funny or make it sad but it always comes out of real
feelings.”
“Rob’s timing is impeccable,” adds MacLaine. “It’s
extremely important because you’re always walking a tightrope between the drama
and the comedy, and boy! The comedy better land.”
ABOUT THE PRODUCTION
Rumor Has It…is set in 1997 to sync the timing of The
Graduate novel and movie with the ages of the characters, but the setting is
essentially contemporary Pasadena, with stops in New York and Northern
California along the way.
Founded around 1885 at the base of the San Gabriel
Mountains, Pasadena was a favorite winter retreat for wealthy Easterners and
many of their original mansions still stand. In the film, a running joke among
the Huttingers’s social circle is, “No one is from Los Angeles. But if you’re
from Los Angeles, you’re probably from Pasadena.”
“It’s like a lot of suburban communities with more
traditional, conservative values,” comments producer Ben Cosgrove. “It’s the
picket fence world that Sarah is frightened to death of falling into and almost
another fully formed character in the story.”
The film takes place across several landscapes – New York,
where Sarah lives and where she ultimately must return; Pasadena, home of the
Huttingers; and Northern California, where Sarah finds Beau Burroughs country.
Two-time Academy Award nominee Thomas Sanders (Saving
Private Ryan, Bram Stoker’s Dracula) sought to create these distinct habitats.
“The colors in the Huttingers’s world are a little on the boring side and
claustrophobic,” he describes, “whereas Beau Burroughs’s world was all about
beauty, color and being outside. We worked very carefully on a palette to make
sure that when our characters were in the different environments, it echoed
those worlds.”
The filmmakers set the wedding rehearsal dinner at the
Huttinger home to hone in on the family’s unique character. “Pasadena is not a
poor world by any means,” says Sanders, “but we wanted to compare Beau’s
extremely wealthy world to Sarah’s so you could see how this dramatic change in
scenery would affect her.”
Costume designer Kym Barrett (the Matrix trilogy) infused
the wardrobe with the same focus on contrasts. “To take a person who is very
average and unassuming and throw her into an unbelievable and out of the
ordinary situation seemed liked a wonderful idea because you could play the two
worlds off of one another,” she says.
Barrett created a very typical wardrobe for a young
professional woman in 1997, keeping in mind that she would only be in Pasadena
for a short time and would therefore have a limited wardrobe. “Then, when she
is thrust into this delay with all these romantic events, I wanted to make it so
that all the things that she wore could be adapted into those situations,” says
Barrett.
During fittings in pre-production, Barrett was able to
collaborate with the actors to get additional insight into the characters from
the cast. “Jennifer had some very strong ideas of what Sarah would wear,” she
notes. “She didn’t particularly want ‘designed’ clothes, as Sarah isn’t exactly
a fashion-plate. We ended up making some of her costumes but other things that
she wears we bought and then altered to make them look more like something she
would wear in the period.”
By contrast, nearly the entire wardrobe Shirley MacLaine’s
character, Katharine, was hand-made. “We had a lot of fun with Shirley because
she was so totally enthralled with her character,” Barrett recalls. “She wanted
to know the back story and the color scheme, all of which are things that make a
job fun for me. I loved that she really looked like a true movie star.”
Filming commenced in Palos Verdes, California, before
moving to downtown Los Angeles’ Four Seasons Biltmore Hotel. The following weeks
saw the cast and crew move to Pasadena to utilize numerous neighborhoods and
locations throughout the city.
Several historic Pasadena structures appear in Rumor Has
It..., including All Saints Episcopal Church, a gothic structure built in 1923,
which is known for its stained glass, including an original Tiffany window. The
church is the scene of Annie’s wedding, for which Sarah and Jeff have come in
from New York. Officiating at the ceremony in the film is George Regas, who
retired after 28 years as the Rector of All Saints and was the pastor for
screenwriter T.M. Griffin, who grew up in Pasadena.
Across the street stands Pasadena City Hall, a 1927
construction inspired by the Renaissance style of 16th century Italian architect
Andreas Palladino. The tiled dome roof is visible for miles around and the
building encloses a spacious fountain courtyard where the film’s Casablanca Ball
sequence was shot. In this scene, Beau takes Sarah to an extravagant Northern
California ball to give her a glimpse into the reality of his life.
All Saints Episcopal Church across the street was already
written into the script, but City Hall was a delightful bonus for the
filmmakers. Production designer Thomas Sanders learned that the city was
planning a major earthquake retrofitting at City Hall around the time they would
be shooting there and as he worked out the schedule it occurred to him that it
was a perfect fit for the Casablanca Ball, “I called my crew and we met there
and planned out the look of the Casablanca Ball before we even had permission
from the City to use it,” he says. “I just had a feeling they would give us
permission – they really had nothing to lose.”
Because the city had already relocated the building’s
tenants, the art department had the rare luxury of total access to the site for
a full week in order to transform it into an opulent party venue.
Cinematographer Peter Deming relished the task of designing
lighting for such a grand space. “The courtyard was so vast,” he describes.
“There were plenty of places to hide lamps, and the evening mood was challenging
with the light wardrobe and tables.”
To assist in the process, Deming floated helium balloons
with lamps inside high above the courtyard, giving off an exotic glow that could
be seen all around the neighborhood.
The Casablanca Ball was an enormous undertaking for the
wardrobe department due to the many extras required for the scene. Barrett and
her team dressed each extra in vintage wardrobe, shoes, jewelry, stockings, not
to mention hair and makeup design. “It took us three weeks to pre-fit everybody
because we were dressing them from head to toe,” she recalls.
In addition to Pasadena, Rumor Has It… filmed at the
Saddlerock Ranch in the hills above Malibu; a home in the elegant Hancock Park
neighborhood of Los Angeles; the Bradley Terminal at LAX; Leo Carrillo State
Beach in Malibu and in San Pedro, California at the lavish Art Deco Warner Grand
Theatre. Built in 1931, the Warner Grand was the first sound-equipped theatre
in the South Bay. Production also shot in the three WPA-build tunnels on the
Arroyo Seco Parkway that lead to the Pasadena Freeway, the oldest such roadway
in the country.
ABOUT THE GRADUATE
Nominated for seven Academy Awards and winner for Best
Director, this groundbreaking social satire launched the career of two-time
Oscar-winner Dustin Hoffman and cemented the reputation of acclaimed director
Mike Nichols. Pulsating with the rebellious spirit of the 60s and the landmark
score by Simon and Garfunkel, the film starred Hoffman as Benjamin Braddock,
Anne Bancroft as Mrs. Robinson, and Katherine Ross as her daughter, Elaine.
Directed by Mike Nichols, the film was written by Buck Henry and Calder
Willingham based on the novel by Charles Webb.
Webb’s The Graduate, published in 1963, was a successful
first novel for the young American writer. The novel dramatizes the
post-graduate blues of Pasadena native Benjamin Braddock and chronicles his
encounters with Mrs. Robinson, the bored but attractive wife of his father’s law
partner. When Benjamin falls in love with the Robinsons’ beautiful daughter
Elaine, Mrs. Robinson sabotages their relationship by telling Elaine of her
affair with Benjamin. But he is undeterred – for the first time in his life,
Benjamin knows what he wants and he relentlessly pursues Elaine as she prepares
to marry someone else.
ABOUT THE CAST
Born in Sherman Oaks, CA and raised in New York City,
JENNIFER ANISTON (Sarah Huttinger) is a versatile actress who was exposed to
acting at an early age by her father, John Aniston, who starred on NBC’s daytime
drama Days of Our Lives, and her godfather, the late Telly Savalas.
Aniston recently completed filming the romantic comedy The
Break Up with costar Vince Vaughn due out in the Spring of 2006. She was last
seen in the thriller Derailed, co-starring Clive Owen, which was released in
November.
Aniston recently completed her 10th and final season on the
hit ensemble comedy Friends, along with Courteney Cox-Arquette, Matt LeBlanc,
Matthew Perry, David Schwimmer and Lisa Kudrow, on NBC. Her work as Rachel
Green has earned her two Emmy Award nominations for Best Supporting Actress and
four People’s Choice Awards for Best Actress in a Comedy Series, two Screen
Actors Guild Award nominations for Best Actress in a Comedy, as well as
nominations for a Golden Globe Award for Best Supporting Actress in a Comedy,
Drama or Mini-series and for Best Performance by a Lead Actress in a Comedy
Series. She won her first Emmy in 2002 as Lead Actress in a Comedy Series, as
well as her first Golden Globe Award in 2003 as Best Performance by a Lead
Actress in a Comedy Series. She recently received her third Emmy nomination for
Lead Actress in a Comedy Series.
In addition to the massive success she has achieved on the
small screen, Aniston continues to branch out with very different roles on the
silver screen. She was recently seen starring alongside Ben Stiller in the
comedy Along Came Polly, and opposite Jim Carrey and Morgan Freeman in the smash
hit Tom Shadyac comedy Bruce Almighty. She also recently starred in Miguel
Arteta’s critically acclaimed third film The Good Girl, opposite Jake Gyllenhaal,
John C. Reilly and Zooey Deschanel, a role for which Aniston earned an
Independent Spirit Award nomination. The film made its debut to rave reviews
at the 2002 Sundance Film Festival.
Aniston’s other film credits include Rock Star, opposite
Mark Wahlberg and directed by Stephen Herek; She’s the One, opposite director Ed
Burns and Cameron Diaz; Picture Perfect, opposite Kevin Bacon and Olympia
Dukakis, directed by Glenn Gordon Caron; ‘Til There Was You, with Jeanne
Tripplehorn, Sarah Jessica Parker and Dylan McDermott; and the critically
praised The Object of My Affection, opposite Paul Rudd. Her other film credits
include Office Space and Dreams for an Insomniac.
Aniston, who is of Greek descent, spent a year of her
childhood living in Greece with her family, but relocated to New York when her
father landed a role on the daytime drama Love of Life. She had her first taste
of acting at age 11 when she joined the Rudolf Steiner School’s drama club. Her
experience at the Rudolf Steiner School also helped Aniston develop a passion
for art. At age 11, one of Aniston’s paintings was selected to be on display in
an exhibit at New York’s Metropolitan Museum of Art.
She began her professional training as a drama student at
New York’s High School of the Performing Arts. After graduating in 1987,
Aniston won roles in such Off-Broadway productions as For Dear Life, at New
York’s Public Theater, and Dancing on Checker’s Grave. In 1989, she landed her
first television role as a series regular on Molloy. Aniston’s other television
credits include series regular roles on The Edge, as well as Ferris Bueller, a
recurring role on Herman’s Head and guest-starring roles on such series as
Quantum Leap and Burke’s Law.
Aniston currently resides in Los Angeles.
KEVIN COSTNER (Beau Burroughs) began his career starring in
independent films, gradually earning small parts in more established movies.
His first major motion picture role was in the coming of age comedy, Fandango.
Throughout his career, Costner has varied his choices with
comedy, action and drama roles. He has appeared in such popular box-office hits
as No Way Out, Bull Durham, Field of Dreams, The Bodyguard and Wyatt Earp.
Costner’s exceptional filmmaking abilities were showcased
in Dances with Wolves, which he produced, directed and starred in, and which won
seven Academy Awards including Best Picture and Best Director.
In addition to appearing in memorable roles in JFK, The
Untouchables and Robin Hood: Prince of Thieves, he re-teamed with his Bull
Durham director Ron Shelton for the hit feature Tin Cup.
Costner also starred in Thirteen Days, successfully
collaborating again with his No Way Out director Roger Donaldson. His other
film credits include For Love of the Game, The War, 3,000 Miles to Graceland,
Dragonfly and The Postman, his second directing effort.
Last year Costner directed and starred in the box office
hit and critically acclaimed film Open Range, alongside Robert Duvall and
Annette Bening.
Costner was most recently seen playing a supporting role in
the dramatic film The Upside of Anger, in which he portrayed a former baseball
player who helps a single mother and her four headstrong daughters after the
disappearance of their father.
He is currently in production on the action drama The
Guardian, in which he portrays a legendary Coast Guard rescue swimmer.
SHIRLEY MacLAINE (Katharine Richelieu) has starred in
almost 50 motion pictures, countless television specials, her own mini-series
and on the Broadway stage. She received an Academy Award for Best Actress in
1984 for Terms of Endearment, after receiving nominations for Some Came Running,
The Apartment, Irma La Douce, Turning Point, and, as a producer of The Other
Half of the Sky: A China Memoir, which she also co-directed. Among her
numerous international accolades, she has received ten Golden Globe Awards, two
Venice Film Festival Awards, two Silver Bear Awards from the Berlin Film
Festival, and in 1999, was presented with Berlin’s Golden Bear Award for
Lifetime Achievement. Her television appearances have brought her five Emmy
Awards, among many nominations for her six musical television specials and The
Shirley MacLaine Special won her the Golden Rose in Montreaux.
MacLaine made her motion picture debut in 1955 in Alfred
Hitchcock’s The Trouble with Harry, followed by Around the World in 80 Days, The
Matchmaker, Ask Any Girl, Ocean’s Eleven, Can-Can, Two Loves, The Children’s
Hour, Two for the Seesaw, What a Way to Go!, John Goldfarb, Please Come Home,
The Yellow Rolls-Royce, Gambit, Woman Times Seven, Sweet Charity, Two Mules for
Sister Sara, The Possession of Joel Delaney, Being There, A Change of Seasons,
Madame Sousatzka, Steel Magnolias, Postcards from the Edge, Used People,
Wrestling Ernest Hemingway, Guarding Tess, Mrs. Winterbourne and Evening Star,
among others. More recently, she starred in Carolina, Bewitched and In Her
Shoes.
In 1999, she made her directorial debut and starred in the
critically acclaimed independent film Bruno with Kathy Bates, Gary Sinese,
Jennifer Tilly, Brett Butler and 10-year old Alex Linz in the title role of a
boy whose sense of individuality wins him the respect of his peers.
MacLaine starred in her first motion picture for television
in 1995, pairing with Liza Minnelli in the Ernest Thompson screenplay based on
his hit play, West Side Waltz. Among her additional television credits, she
played a key cameo in the lavish CBS mini-series Joan of Arc, and in 2001, she
united with three other icons of the screen, Elizabeth Taylor, Debbie Reynolds
and Joan Collins, in the comedy entitled These Old Broads, written by Carrie
Fisher which aired on ABC. In 2002, she starred in the CBS mini-series The True
Story of the Salem Witch Trials. Most recently, she starred in the title role
of famed cosmetics queen Mary Kay Ash in the CBS telefilm Hell on Heels: the
Battle of Mary Kay.
MacLaine was born in Richmond, Virginia and was raised in
Arlington, Virginia by her real estate broker/musician father and
housewife-painter-actress mother. A dancer at heart, she was taking ballet
lessons at the age of two-and-a-half and by the time she was a student in high
school, she was spending her summers dancing in New York chorus lines.
MacLaine was thrust into stardom when she was the
understudy for Carol Haney on Broadway in The Pajama Game. When Haney broke her
ankle, MacLaine went on, drawing the attention of legendary film producer Hal
Wallis who was in the audience and immediately signed her to a Paramount
Pictures contract.
In l974 she returned to the stage starring in a one-woman
musical revue If They Could See Me Now, which played to sold-out audiences in
New York, Los Angeles, Las Vegas, Atlantic City and theatres throughout the
country as well as highly successful tours of major cities throughout the
world. The show was later adapted into an Emmy-winning CBS television special.
She subsequently starred in two additional television specials The American
Spirit and Gypsy in My Soul, which also received an Emmy.
In 1995, MacLaine’s dancing and singing revue Out There
Tonight was sold-out during its American tour. She later took the show to
Japan, Australia and England, as well as a two-and-a-half month tour of Europe.
While touring in her own musical stage vehicle she headlined with Frank Sinatra
in several critically-praised engagements, including shows at Radio City Music
Hall in New York and The Greek Theatre in Los Angeles.
An internationally best-selling author, MacLaine has ten
popular published books, including Out On A Limb, which she also co-wrote as a
successful mini-series starring MacLaine as herself, on ABC Television. Among
her other books are the autobiographical Don’t Fall Off the Mountain, You Can
Get There From Here, Dancing in the Light, It’s All in the Playing, Going
Within: A Guide for Inner Transformation, Dance While You Can and My Lucky
Stars.
More recently, she wrote Out on a Leash, a unique story of
her relationship with her canine friend, Terry, and The Camino, which chronicles
her 30-day journey on foot on the historic Santiago de Compostela pilgrimage
through Northern Spain.
This year, MacLaine was given a Lifetime Achievement Award
by ShowEast, having been honored by the theatre organization early in her career
as most promising newcomer.
With an expansive list of diverse film credits, MARK
RUFFALO (Jeff Daly) is one of Hollywood’s most sought after leading men. After
appearing in four films in 2004, Ruffalo has three films opening this year and
another three films in various stages of production.
Ruffalo most recently starred as the romantic lead opposite
Reese Witherspoon in Just Like Heaven, released in September. In the Mark
Waters-directed film, Ruffalo plays a widower who falls in love with the spirit
of a woman whose apartment he moves into. Prior to this role, he was seen in
Collateral, opposite Tom Cruise and Jamie Foxx. In Collateral, Ruffalo plays
the LAPD officer in pursuit of Tom Cruise’s hitman character. He also appeared
in Warner Independents Pictures’ We Don’t Live Here Anymore. The film received
critical acclaim at the 2004 Sundance Film Festival. Ruffalo starred opposite
Naomi Watts, Peter Krause and Laura Dern and also served as an executive
producer on this drama that examines the consequences of infidelity that befall
two marriages.
In 2006, Ruffalo will be seen in All the King’s Men with
Sean Penn, Kate Winslet and Jude Law.
Ruffalo is currently in production on the Phoenix Pictures’
film Zodiac opposite Jake Gyllenhaal and Robert Downey Jr.. Based on a true
story, the film follows the men who tracked down the Zodiac serial killer who
terrorized San Francisco for 25 years. Ruffalo plays the San Francisco homicide
inspector in charge of the case. Phoenix Pictures also recently announced that
they purchased the rights to The Brass Wall as a starring vehicle for Ruffalo.
He will play an undercover cop who infiltrates the Lucchesi crime family in New
York to solve the murder of a city firefighter. Ruffalo also recently completed
production on the Kenneth Lonergan-directed film Margaret with Anna Paquin and
Matt Damon.
Ruffalo earned critical recognition in 2000 for his role in
Kenneth Lonergan’s You Can Count on Me, opposite Laura Linney and Matthew
Broderick. For his performance, he won the Best Actor Award at the 2000
Montreal Film Festival and the New Generation Award from the Los Angeles Film
Critics Association. The Martin Scorsese-produced film received recognition
from critics nationwide and was especially well-received at the 2000 Sundance
Film Festival, winning two of the festival’s top prizes: the coveted Grand Jury
Prize for best film in dramatic competition and the Waldo Salt Screenwriting
Award.
In the following two years, Ruffalo landed roles in the
action films The Last Castle, opposite Robert Redford and James Gandolfini, and
Windtalkers, opposite Nicolas Cage and Christian Slater. He also starred in the
first picture from Nylon Films, XX/XY, written and directed by Austin Chick.
In 2003, Ruffalo was seen opposite Meg Ryan in Jane
Campion’s film In The Cut. That same year, he appeared in the independent film
My Life Without Me, written and directed by Isabel Coixet and also starring
Sarah Polley and Scott Speedman. In 2004, Ruffalo was seen in the romantic
comedy 13 Going on 30, in which he co-starred opposite Jennifer Garner. In
March of 2004, he was seen in Eternal Sunshine of the Spotless Mind, written by
Charlie Kaufman, starring opposite Jim Carrey, Kirsten Dunst, Kate Winslet,
Elijah Wood and Tom Wilkinson.
Additional film credits include Committed, co-starring
Heather Graham, which was also showcased at the 2000 Sundance Film Festival;
Ride With the Devil, directed by Ang Lee (The Ice Storm) and co-starring Tobey
Maguire and Skeet Ulrich; 54 with Mike Meyers; Safe Men with Sam Rockwell and
Steve Zahn; The Last Big Thing, directed by Dan Zukovic; Joan Micklin Silver’s
A Fish in the Bathtub with Jerry Stiller; and Dan Bootzin’s Life/Drawing.
Ruffalo’s acting roots lie in the theater, where he first
gained attention starring in the off-Broadway production of This is Our Youth,
written and directed by Kenneth Lonergan, for which he won a Lucille Award for
Best Actor. Ruffalo has won several awards for other performances, including a
Dramalogue Award and the Theater World Award. In 2000, Ruffalo was seen in the
Off-Broadway production The Moment When, a play by Pulitzer Prize and Tony Award
winner James Lapine. Ruffalo was part of an impressive ensemble cast that
included Illeana Douglas, Kieran Culkin and Arija Bareikis.
Having trained with Joanne Linville at the distinguished
Stella Adler Conservatory, Ruffalo made his theater debut in Avenue A at The
Cast Theater. Ruffalo continued his relationship with The Cast Theater,
performing in several of Justin Tanner’s award-winning plays, including Still
Life With Vacuum Salesman and Tent Show.
A writer, director and producer as well, Ruffalo co-wrote
the screenplay for the independent film The Destiny of Marty Fine, which was the
first runner-up in the 1995 Slamdance Film Festival in Park City, Utah.
Additionally, he has directed several plays and one-acts. In 2000, he directed
Timothy McNeil’s original play Margaret at the Hudson Backstage Theatre in Los
Angeles.
His television credits include UPN’s The Beat, a dramatic
series created by Academy Award winner Barry Levinson and Emmy Award winner Tom
Fontana, On the Second Day of Christmas and TNT’s Houdini: Believe.
Ruffalo resides in Los Angeles.
RICHARD JENKINS (Earl Huttinger) has a prodigious and
impressive list of credits. He recently completed the upcoming feature Fun with
Dick and Jane, starring Jim Carrey and Tea Leoni. Jenkins was most recently
seen in the film North Country, directed by Niki Caro and starring Charlize
Theron, and is well known to audiences of the HBO hit series Six Feet Under as
the wry, advice-dispensing (if deceased) Nathaniel Fisher. Six Feet Under was
nominated for the Screen Actors Guild Awards in 2002 for Outstanding Performance
by an Ensemble in a Drama Series.
Jenkins has appeared in over 40 films and over 20
television movies. His feature credits include Shall We Dance, Cheaper By The
Dozen, the Coen brothers’ Intolerable Cruelty and The Man Who Wasn’t There; the
Farrelly brothers’ Say it Isn’t So, Me, Myself and Irene and There’s Something
About Mary; Mike Nichols’ What Planet are You From? and Wolf; One Night at
McCools, Sidney Pollack’s Random Hearts, The Mod Squad, Clint Eastwood’s
Absolute Power, Flirting with Disaster (for which he was nominated for an
Independent Spirit Award), The Indian in the Cupboard, It Could Happen To You,
How to Make an American Quilt, Little Nikita, Sea of Love, Lawrence Kasden’s
Silverado, and Woody Allen’s Hannah and her Sisters, among many others.
His television work includes the telefilms The Sins of the
Father, Into Thin Air, The Boys Next Door and The Band Played On.
Born in Dekalb, Illinois, Jenkins lives in Rhode Island
where he was the artistic director of the Trinity Square Repertory Company in
Providence for four years.
MENA SUVARI (Annie Huttinger) has become one of the most
sought after young actresses in Hollywood. She was nominated for a British
Academy Award for her critically acclaimed performance in the Oscar
Award-winning film American Beauty, co-starring with Kevin Spacey and Annette
Benning. She also starred in the outrageous comedy hit American Pie and its
sequel American Pie 2, which grossed over $300 million worldwide.
Most recently, Suvari starred in the feature Domino,
directed by Tony Scott, opposite Christopher Walken and Keira Knightley. Other
recent releases include Beauty Shop, starring opposite Queen Latifah and Kevin
Bacon, and Trauma with Colin Firth, which premiered at the Sundance Film
Festival in 2004 and was released worldwide in October, 2005. The film was
produced by Jonathan Cavendish (Bridget Jones’ Diary) and Nicky Kentish Barnes
(About a Boy).
She rekindled her relationship with Alan Ball and won
critical praise recurring on the acclaimed HBO series Six Feet Under, playing
Edie, an eccentric lesbian performance artist.
In 2003, Suvari made her stage debut in The World of Nick
Adams at The Kodak Theatre in Hollywood, where she starred as Marjorie, opposite
Paul Newman, Jack Nicholson, Tom Hanks, Julia Roberts and Matt Damon.
In 2002, she starred in two widely applauded independent
feature films. The first was Nicolas Cage’s directing debut Sonny, in which she
appeared opposite James Franco, Brenda Blethyn and Harry Dean Stanton. The
feature premiered at the 2002 Deauville Film Festival. The second film was
Spun, directed by acclaimed music director Jonas Åkerlund, starring opposite
John Leguizamo. She played a daring role as a young woman addicted to crystal
meth. The film premiered at the Deauville, Toronto, and Sundance Film
Festivals.
In 2000, Suvari starred opposite Greg Kinnear and Jason
Biggs in Loser, directed by Amy Heckerling. In 2001, she starred in Sugar &
Spice, and was seen as a young French girl in 1630s France in the film The
Musketeer, starring opposite Tim Roth, Stephen Rea, Catherine Deneuve and Justin
Chambers.
Suvari was the winner of two Movieline Awards for
“Breakthrough Performance” for American Beauty and “Best Ensemble Cast” for
American Pie. She also received a Screen Actor’s Guild Award for “Best Ensemble
Cast” for American Beauty.
She made her film debut with a starring role in the Greg
Araki film Nowhere. Her other film credits include Slums of Beverly Hills, Kiss
the Girls and Snide and Prejudice.
Suvari’s other notable television appearances included a
recurring part on the Steven Spielberg-produced drama series High Incident, and
she won acclaim for her portrayal of an HIV-infected youth on Chicago Hope.
In 2003, Suvari became the new worldwide advertising face
of the famed Paris cosmetic company Lancôme, and in 2005, she will be featured
by the acclaimed jewelry house Harry Winston in their winter advertising
campaign, shot by the late legendary photographer Richard Avedon.
ABOUT THE FILMMAKERS
ROB REINER (Director) has directed some of the most popular
and influential motion pictures of the past two decades, deftly moving among
many styles. He has created films that win both audience enthusiasm and
critical acclaim.
The versatile filmmaker has been immersed in the
entertainment business for much of his life, succeeding first as an actor, then
as a director and producer. Prior to his directorial debut, Reiner acted in
many television and feature productions. It was, however, his Emmy
Award-winning work as the son-in-law of Archie Bunker in the hit series All in
the Family that made him a household name.
Reiner’s credits as a director of feature films include the
now-legendary This is Spinal Tap, a parody documentary about a mythical heavy
metal group; The Sure Thing, a hate-turned-to-love story of two college
students; the sleeper hit Stand By Me, about four boys coming of age in the
fifties, for which he received Best Director nominations from the Directors
Guild of America and the Hollywood Foreign Press Association; and the much loved
fantasy The Princess Bride, adapted for the screen by Academy Award winner
William Goldman from his original novel.
The director’s succession of box-office hits include When
Harry Met Sally…, Misery, A Few Good Men, The American President and Ghosts of
Mississippi. Most recently, he produced and directed The Story of Us, with
Michelle Pfeiffer and Bruce Willis, and Alex and Emma, starring Kate Hudson and
Luke Wilson.
Reiner is a principal and co-founder of Castle Rock
Entertainment. In addition to directing feature films, he is involved in all
phases of Castle Rock’s creative activities.
In 1997, Reiner and his wife Michele Singer Reiner founded
the I Am Your Child Foundation, a national non-profit promoting early childhood
development and providing parents with quality educational
materials. In 2004, I Am Your Child became Parents’ Action for Children,
expanding its mission to organize parents into a powerful national movement
ensuring that our nation’s policies reflect a concern and commitment to early
education, health care, and high quality and affordable child care. For
materials and information please visit
www.parentsaction.org.
In 1998, Reiner chaired the successful California Children
and Families Initiative, which is now implementing an integrated program of
early childhood development services, including health care, preschool, and
intervention programs for families at risk. Reiner’s latest initiative, the
Preschool for All Act, will appear on the June 2006 ballot. If passed, it will
provide quality preschool to more than half a million children in California.
Reiner is also a committed environmentalist who has
championed open space preservation in the Los Angeles region. He supports the
National Resources Defense Council (NRDC), a national non-profit organization
that works to preserve and protect the public health and to ensure the
conservation and wise management of land and natural resources.
During PAULA WEINSTEIN’s (Producer) expansive 20-year
career in the entertainment industry she has worked with virtually every major
studio in the film industry. One of the entertainment community’s most
dedicated political activists, Weinstein, who oversees Spring Creek Pictures, is
as well-known for her involvement in social issues as she is on her production
acumen.
Weinstein was raised in Europe and began her career working
as an assistant film editor in New York City. She then became Special Events
Director in the office of Mayor John Lindsay, bringing plays, ballet and street
festivals to the city’s various communities.
Moving to Los Angeles in 1973, Weinstein signed on as a
talent agent for what was to become International Creative Management (ICM).
She later moved to the William Morris Agency where she handled a client
portfolio that included Jane Fonda and Donald Sutherland.
Eager for new challenges, Weinstein joined Warner Bros.
Pictures as Vice President of Production in 1976 and then later enlisted with
20th Century Fox as Senior Vice President of Worldwide Production, developing
and producing films such as Nine to Five and Brubaker. In 1979 Weinstein
relocated to the Ladd Company, collaborating on such films as Body Heat,
Lawrence Kasdan’s directorial debut.
After two years with Ladd she moved to United Artists as
President of the Motion Picture Division where she supervised all productions.
Two of the many hits that she brought to the screen during this time were War
Games and Yentl.
In 1984 Weinstein started WW Productions, an independent
production company in partnership with Gareth Wigan. In 1987 she assumed the
title of Executive Consultant to MGM’s worldwide division. This position
allowed her to continue producing independent projects such as A Dry White
Season, for which Marlon Brando was nominated for an Academy Award, and The
Fabulous Baker Boys, nominated for four Academy Awards, which she jointly
produced with Mirage Productions in 1989.
In 1990, Paula Weinstein and Mark Rosenberg, a fellow
20-year veteran of the film industry, created Spring Creek Productions. Their
first produced feature film was Fearless, directed by Peter Weir. Actress Rosie
Perez received an Academy Award nomination for Best Supporting Actress for her
role in the drama, which starred Jeff Bridges, Isabella Rossellini, Tom Hulce
and John Turturro. Spring Creek’s second film to go into production was Flesh
and Bone, which reunited the producers with their collaborators on The Fabulous
Baker Boys, writer-director Steve Kloves and Sydney Pollack’s Mirage
Productions. The contemporary love story, directed by Kloves from his original
screenplay, starred Dennis Quaid, Meg Ryan, James Caan and a young Gwyneth
Paltrow.
In a nod to her ongoing passion for politics, Weinstein
served as executive producer on Citizen Cohn, starring James Woods as the
notorious McCarthy-era lawyer. The HBO telefilm won four Emmy Awards, three
CableAce Awards and was nominated for two Golden Globe Awards.
In 1995, Weinstein and Anthea Sylbert produced Something to
Talk About for Warner Bros. Pictures, starring Julia Roberts, Dennis Quaid,
Robert Duvall, Gena Rowlands and Kyra Sedgwick, and directed by Academy Award
nominee Lasse Hallström.
Following Something to Talk About, and again returning to
her political roots, Weinstein served as executive producer on Truman, starring
Gary Sinise for HBO, which went on to win the Emmy for Best Movie made for
television. Directed by Frank Pierson, the film is based on the David
McCullough biography of President Harry Truman and chronicles his life from
World War II to when he exited the White House.
In December 1996 HBO presented The Cherokee Kid, on which
Weinstein served as executive producer. The movie starred Sinbad, James Coburn,
Gregory Hines and Burt Reynolds. In 1997 she executive produced First Time
Felon for HBO which was directed by Charles Dutton.
Weinstein produced the box office smash Analyze This, which
stars Billy Crystal and Robert De Niro. To date the film has earned more than
$100 million. She co-produced Barry Levinson’s Liberty Heights, which was
released in November 1999 to critical acclaim. Weinstein also produced The
Perfect Storm, which stars George Clooney and Mark Wahlberg. The film was
released in June 2000.
In 1989 Weinstein and Rosenberg received the Bill of Rights
Award from the Southern California Chapter of the American Civil Liberties
Union. When Rosenberg suffered a fatal heart attack in November 1992, the Mark
Rosenberg Legal Center of South Central Los Angeles was established in memoriam
by the ACLU Foundation. The couple had been married since 1984.
A founding member of the Hollywood Women’s Political
Committee, Weinstein was honored by the National Urban League Guild at their
Beaux Arts Ball in 1990. When Nelson Mandela made his first official visit to
the United States, Weinstein served as the official representative from the
Hollywood community and supervised all elements of his visit to Los Angeles.
She was honored by Women in Film with a Crystal Apple Award, which recognized
her extraordinary contribution to the entertainment community.
Weinstein produced Possession, which starred Gwyneth
Paltrow and Aaron Eckhart. Directed by Neil LaBute, the film was based on
British author A. S. Byatt’s novel Possession: A Romance.
Weinstein produced Analyze That, which was a follow up to
the very successful Analyze This. Weinstein also produced the critically
acclaimed HBO movie Iron Jawed Angels, about the women’s Suffragette movement,
starring Oscar winner Hilary Swank and Golden Globe winner Anjelica Huston.
Production was completed in August 2004 for New Line Cinema’s Monster In Law,
starring Jane Fonda and Jennifer Lopez. The film was released in the spring of
2005.
In October 2005 filming was completed on The Astronaut
Farmer for Warner Independent Pictures; written and directed by Michael Polish
and Mark Polish, the film stars Billy Bob Thornton and Virginia Madsen.
Currently in pre-production is the Warner Bros. Pictures film Blood Diamond,
directed by Ed Zwick and set in South Africa. The film stars Leonardo DiCaprio
and will begin filming in February 2006.
Weinstein resides in Los Angeles with her 12 year old
daughter, Hannah Mark.
BEN COSGROVE (Producer) is president of Section Eight where
he is currently producing The Good German, directed by Steven Soderbergh and
starring George Clooney, Cate Blanchett and Tobey Maguire.
Cosgrove served as executive producer of Section Eight’s
films Welcome to Collinwood, Criminal, The Jacket, A Scanner Darkly, Goodnight,
and Good Luck and Syriana. He was associate producer on Insomnia.
Section Eight has also produced Ocean’s Twelve, Ocean’s
Eleven, Far From Heaven and Confessions of a Dangerous Mind.
Cosgrove’s first job in the movie business was as a
freelance reader at TriStar Pictures, where he ultimately became Director of
Creative Affairs.
At TriStar he worked on numerous projects including Jumanji,
The Mask of Zorro and Devil in a Blue Dress before joining George Clooney’s
Warner Bros. Pictures-based production company, Maysville Pictures.
Cosgrove graduated from Columbia University and then worked
in New York in book publishing at The Free Press, then an imprint of MacMillan
Publishing.
GEORGE CLOONEY (Executive Producer) has gone from
television actor to motion picture actor to producer, executive producer, and
writer and director in both mediums.
Clooney is partnered with Steven Soderbergh in the
production company Section Eight. The company most recently produced Syriana
and Good Night, and Good Luck. Syriana is a political thriller that unfolds
against the intrigue of the global oil industry from writer/director Stephen
Gaghan, winner of the Best Screenplay Academy Award for Traffic. Clooney also
stars in Syriana, along with Matt Damon, Jeffrey Wright, Chris Cooper, William
Hurt, Tim Blake Nelson, Amanda Peet and Christopher Plummer. Clooney co-wrote,
directed and co-stars in Good Night, and Good Luck, a feature about the renowned
broadcaster Edward R. Murrow’s legendary on-air confrontations with Senator
Joseph McCarthy – confrontations that helped bring down the infamous
politician.
Section Eight is currently in post-production on The Good
German, directed by Soderbergh and starring Clooney, Cate Blanchett and Tobey
Maguire. Based on the novel by Joseph Kanon, The Good German takes place in the
ruins of post-WWII Berlin. The company’s next project will be Michael Clayton,
which begins shooting in January and stars Clooney, Sydney Pollack and Tom
Wilkinson.
Other Section Eight productions include Ocean’s Eleven,
Ocean’s Twelve, Far From Heaven, Insomnia, Confessions of a Dangerous Mind, The
Jacket, Full Frontal and Welcome to Collinwood.
Clooney also works with Section Eight’s television
division. He will serve as executive producer on Section Eight’s next
television project, Network, a live production for CBS. Clooney also served as
executive producer and director on five episodes of Unscripted, a reality-based
show for HBO, and was an executive producer and cameraman for K-Street, also for
HBO.
Clooney made his directorial debut in 2002 with Confessions
of a Dangerous Mind, for which he won the Special Achievement in Film Award from
the National Board of Review.
Clooney starred in the Warner Bros. Pictures’ blockbuster
hits Ocean’s Eleven and Ocean’s Twelve. He also starred in the Coen brothers’ O
Brother, Where Art Thou? and won the 2000 Golden Globe Award as Best Actor in a
Motion Picture Musical or Comedy.
Clooney earned critical acclaim for his performances in the
award-winning drama Three Kings and Out of Sight. His previous films include
Solaris, The Peacemaker, Batman & Robin, One Fine Day and From Dusk Till Dawn.
He has starred in several television series but is best
known to TV audiences for his five years on the hit NBC drama ER. His portrayal
of Dr. Douglas Ross earned him Golden Globe, Screen Actors Guild, People’s
Choice and Emmy nominations.
Clooney was executive producer and co-star of the live
television broadcast of Fail Safe, an Emmy-winning telefilm developed through
his Maysville Pictures. Fail Safe was nominated for a 2000 Golden Globe Award
as Best Miniseries or Motion Picture Made for Television. The film was based on
the early 1960s novel of the same name.
STEVEN SODERBERGH (Executive Producer) not only works
behind the camera as a director, but also behind the scenes as a producer on a
variety of projects. In 2000, Soderbergh and George Clooney formed Section
Eight, a film production company based at Warner Bros. Pictures. After their
inaugural production Ocean’s Eleven, they executive produced Far From Heaven,
written and directed by Todd Haynes. The critically acclaimed homage to 1950s
melodrama starred Julianne Moore and Dennis Quaid.
In 2002, Section Eight released three additional films:
Confessions of A Dangerous Mind, directed by and starring George Clooney with an
ensemble cast including Sam Rockwell, Drew Barrymore and Julia Roberts;
Insomnia, directed by Christopher Nolan and starring Al Pacino, Robin Williams
and Hilary Swank and Welcome to Collinwood, written and directed by brothers
Anthony and Joe Russo. The ensemble comedy’s cast included William H. Macy,
Isaiah Washington, Luis Guzman, Jennifer Esposito, Sam Rockwell and Clooney.
Along with Rumor Has It..., Section Eight opened two
additional films in the fall of 2005. Goodnight, and Good Luck, directed by and
starring George Clooney from a script by Clooney and Grant Heslov had its
premiere at the Venice Film Festival. The film also stars David Strathairn,
Robert Downey, Jr., Patricia Clarkson, Frank Langella and Jeff Daniels.
Strathairn received the Osella Cup for his portrayal of legendary CBS anchorman
Edward R. Murrow, while Clooney and Haslov received the award for Best
Screenplay. The film had its domestic release on October 7th.
Most recently, Syriana opened wide on December 9th and
stars George Clooney, Matt Damon, Jeffrey Wright, Chris Cooper, William Hurt,
Tim Blake Nelson, Amanda Peet and Christopher Plummer. Written and directed by
Stephen Gaghan, the political thriller unfolds against the intrigue of the
global oil industry and is based on the book See No Evil: The True Story of a
Foot Soldier in the CIA’s War on Terror by Robert Baer.
Other Section Eight productions include The Jacket,
directed by John Maybury and starring Adrian Brody, Keira Knightley and Jennifer
Jason Leigh; Ocean’s Twelve, which reunited the entire cast of the 2001 hit plus
Catherine Zeta-Jones and internationally acclaimed actor Vincent Cassel; and
Criminal, starring John C. Reilly, Diego Luna and Maggie Gyllenhaal. Gregory
Jacobs, who had collaborated with Soderbergh on ten prior films, made his
directorial debut on the film, which was screened at the 2004 Venice, Deauville
and London Film Festivals.
Section Eight is currently in post-production on The Good
German, directed by Soderbergh and starring George Clooney, Cate Blanchett and
Tobey Maguire.
Soderbergh’s other credits as producer include Greg
Mottola’s The Daytrippers (1997) and Gary Ross’ Pleasantville (1998). He was
executive producer on David Siegel and Scott McGehee’s Suture (1994), Godfrey
Reggio’s Naqoyqatsi and Lodge Kerrigan’s Keane, which recently played at the
Telluride, Toronto and New York Film Festivals.
In 2003, Section Eight and HBO produced the television
docudrama / political reality program K Street, starring real-life political
consultants James Carville and Mary Matalin. Co-starring were a mix of actors
including John Slattery and Mary McCormack, as well as real-life politicians.
This past January, Section Eight and HBO premiered the fiction series
Unscripted, which details the lives of a small group of aspiring actors.
JENNIFER FOX (Executive Producer), president of Section
Eight, is currently overseeing a number of projects, including Tony Gilroy’s
directorial debut Michael Clayton, starring George Clooney; Scott Burns’
directorial debut PU-239; Richard Linklater’s A Scanner Darkly (based on the
novel by Philip K. Dick); as well as Soderbergh’s two upcoming Section Eight
films The Good German, starring George Clooney; and The Informant, starring Matt
Damon.
Most recently, Fox produced Syriana, a political thriller
that unfolds against the intrigue of the global oil industry from
writer/director Stephen Gaghan, starring George Clooney, Matt Damon, Jeffrey
Wright, Chris Cooper, William Hurt, Tim Blake Nelson, Amanda Peet and
Christopher Plummer.
She also recently served as executive producer on Criminal,
directed by Gregory Jacobs; The Jacket, directed by John Maybury; and Good
Night, and Good Luck, directed by George Clooney. Prior to coming to Section
Eight, Fox was Vice-President of Production at Universal Pictures, where she
worked on several films, including Steven Soderbergh’s Erin Brockovich.
Section Eight has produced Ocean’s Eleven, Welcome to
Collinwood, Far From Heaven, Insomnia, Confessions of a Dangerous Mind,
Criminal, Ocean’s Twelve, The Jacket and Good Night, and Good Luck.
MICHAEL RACHMIL (Executive Producer) most recently
executive produced A Cinderella Story, Torque and the smash hit spoof Not
Another Teen Movie. He has also served as executive producer on The Glass
House, The In Crowd, Universal Soldier: The Return, Major League: Back to the
Minors, The Glimmer Man, Nowhere to Run and Flatliners.
Rachmil’s producing credits include Major Payne, Lassie,
L.A. Story, No Holds Barred, Punchline, Roxanne, Quicksilver and Runaway.
LEN AMATO (Executive Producer) is the president of Spring
Creek Productions, where he continues a long-standing relationship with producer
Paula Weinstein. In addition to overseeing development of the company’s feature
and television projects, Amato recently produced The Astronaut Farmer for Warner
Independent Pictures, directed by Michael Polish and written by Mark Polish.
Currently in post-production, the film stars Billy Bob Thornton, Virginia
Madsen, Bruce Dern and Bruce Willis. Amato is also a producer on the upcoming
Warner Bros. Pictures’ film Blood Diamond, to be directed by Ed Zwick and
starring Leonardo DiCaprio and Jennifer Connelly.
Born and raised in Chicago, Amato studied film at Columbia
College and acting at David Mamet’s St. Nicholas Theater. He moved to New York
City and worked as a musician, performing in various downtown clubs including
CBGB’s and the LaMaMa Theater. While in New York, Amato began his film career
as a story analyst for various independent producers and studios including
Warner Bros. Pictures, Universal and Paramount. He became story editor for
Robert De Niro’s newly formed Tribeca Productions, working with co-founder Jane
Rosenthal on various Tribeca films including Thunderheart, directed by Michael
Apted, and Night and the City, directed by Irwin Winkler and written by Richard
Price. While at Tribeca, Amato met playwright Kenneth Lonergan and read
Lonergan’s first screenplay Analyze This.
Amato began his association with Spring Creek Productions
in the mid-90s as Vice President of Development, running the company’s New York
office for co-founders Mark Rosenberg and Paula Weinstein. He produced his
first film in 1997, First Time Felon, for HBO. It marked Charles Dutton’s
directorial debut and starred Omar Epps, Delroy Lindo, Treach and William
Forsythe. In 1998, Amato moved to Los Angeles to serve as executive vice
president when Weinstein partnered with producer/director Barry Levinson to
create Baltimore Spring Creek Pictures.
In 1999 Amato saw years of development come to fruition
with the Warner Bros. Pictures production of Analyze This, directed by fellow
Chicagoan Harold Ramis and starring Robert De Niro and Billy Crystal. The film
was a hit and made over one hundred million dollars during its initial U.S.
release. In 2002 Amato was executive producer on the sequel Analyze That, again
directed by Ramis and starring the original cast. That same year, Amato was
also an executive producer on Possession, a co-production between Warner Bros.
Pictures and USA films, directed by Neil LaBute and starring Gwyneth Paltrow and
Aaron Eckhart.
In 2003 Amato produced Deliver Us From Eva, directed by
Gary Hardwick and starring LL Cool J and Gabrielle Union. The film was later
nominated for an NAACP Image Award. That same year Amato continued his
association with HBO by executive producing the suffrage drama Iron Jawed
Angels, directed by Katja Von Garnier and starring Academy Award-winners Hilary
Swank and Angelica Huston. Huston won the Golden Globe for her performance and
the screenplay later won the PEN Literary Award.
Amato currently lives in Los Angeles with his wife Diana
and their two children John and Annabelle.
ROBERT KIRBY (Executive Producer) is the Chairman,
Executive Director of Village Roadshow Limited and holds a Bachelor of Commerce
with over 30 years experience in the entertainment and media industries. Through
the launch of Roadshow Home Video, Kirby was the driving force behind the
Australian video revolution of the 1980s and 1990s. He is a pioneer of new
cinema concepts in both Australia and internationally and has been at the
forefront of Village Roadshow’s successful diversification into theme parks,
radio and production. He has been a Director of Austereo Group Limited and
Village Roadshow Corporation Limited. Currently, he is a Deputy Chairman of the
Peter MacCallum Cancer Foundation, as well as a member of the Patrons Council,
Epilepsy Foundation, and a Patron of Victorian Arts Centre.
Educated at Bennington College and the California Institute
of the Arts Film School, BRUCE BERMAN (Executive Producer) graduated Magna Cum
Laude from UCLA in 1975 with a major in history. He went on to graduate from
Georgetown Law School in 1978, and was admitted to the California Bar that same
year.
Berman got his start in the motion picture business with
Jack Valenti at the MPAA in Washington, D.C., working as his assistant while in
law school. After graduating, he returned to Los Angeles and started working as
Peter Gruber’s assistant at Casablanca Filmworks in September of 1978. He went
on to work as assistant to Sean Daniel and Joel Silver at Universal Pictures in
July 1979, becoming a Production Vice President at Universal in 1982.
In 1984, Berman came to Warner Bros. Pictures as a
Production VP and was promoted to Senior VP of Production in 1988. He was
appointed President of Theatrical Production in September 1989, and then
President of Worldwide Theatrical Production in 1991, where he served through
May, 1996. Under the aegis, Warner Bros. Pictures produced and distributed the
following: Presumed Innocent, Goodfellas, Robin Hood, Driving Miss Daisy, Batman
Forever, Under Siege, Malcolm X, The Bodyguard, JFK, The Fugitive, Dave,
Disclosure, The Pelican Brief, Outbreak, The Client, A Time to Kill and Twister.
In May of 1996, Berman started Plan B Entertainment, an
independent motion picture production company at Warner Bros. Pictures.
Berman was appointed Chairman and CEO of Village Roadshow
Pictures in February, 1998. Village Roadshow Pictures will make 60 theatrical
features as a joint venture partner with Warner Bros. Pictures through 2007.
The initial slate of films included Practical Magic, starring Sandra Bullock and
Nicole Kidman; Analyze This, starring Robert De Niro and Billy Crystal; The
Matrix, starring Keanu Reaves and Laurence Fishburne; Deep Blue Sea, starring
Samuel L. Jackson; Three Kings, starring George Clooney; Space Cowboys, starring
Clint Eastwood and Tommy Lee Jones; Miss Congeniality, starring Sandra Bullock
and Benjamin Bratt; and Cats & Dogs.
Subsequent releases included Training Day, starring Academy
Award-winning Denzel Washington and Ethan Hawke; Ocean’s Eleven, starring George
Clooney, Brad Pitt and Julia Roberts; Analyze That; Two Weeks Notice, starring
Sandra Bullock and Hugh Grant; The Matrix Reloaded; The Matrix Revolutions;
Mystic River, starring Sean Penn and Tim Robbins; Ocean’s Twelve; Constantine,
starring Keanu Reeves; Miss Congeniality 2: Armed and Fabulous; House of Wax;
Tim Burton’s Charlie and the Chocolate Factory, starring Johnny Depp; and The
Dukes of Hazzard. Up next is Curtis Hanson’s Lucky You, starring Eric Bana and
Drew Barrymore; The Lake House, starring Keanu Reeves and Sandra Bullock;
Firewall, starring Harrison Ford; and Happy Feet, a CGI animated musical from
the creators of Babe.
FRANK CAPRA III (Co-Producer), the grandson of legendary
film director Frank Capra, has an extensive career behind the camera as
producer, second unit director and first assistant director. His credits
include serving as the executive producer on The Deep End of the Ocean, starring
Michelle Pfeiffer; co-producer on Warren Beatty’s Bulworth and Murder by
Numbers, starring Sandra Bullock; and second unit director on the Will Smith
romantic comedy Hitch.
A longtime collaborator with Rob Reiner, Capra served as
Reiner’s executive producer on The Story of Us, co-producer on The Ghosts of
Mississippi and first assistant director on The American President, A Few Good
Men, Alex and Emma and North. His first assistant director credits include The
Dukes of Hazzard, Empire Falls, The Devil’s Advocate, Mighty Joe Young, Eraser
and My Cousin Vinny.
Most recently, Capra served as co-producer on The Darwin
Awards, starring Joseph Fiennes and Winona Ryder, due in theaters in 2006.
Read more of Madelyn’s stories on
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