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Five Essential Tips for Better Travel Photos
By Carlton McEachern
Been there, done that – and here’s proof as you whip out
your travel photo album to display your trip pics to your envious friends. But
wait, is that you in the picture, they say. You look so far away. Sorry this
one’s a little fuzzy and that really is Bill but it’s a little dark and here is
Suzy with a telephone pole growing out of her head. Yes, we’ve all been there –
said that. Even with today’s presto magic point and shoot digital cameras, we
keep making the same mistakes, trip after trip.
So, how can you get out of this rut without looking like a
camera geek? One easy way is to take a one-day short course offered by many of
the major Camera equipment retailers. They are cheap, don’t require a big time
commitment and you will have fun to boot.
Another word of advice: read the camera user manual so you
will know what settings are available and how to use them. Take some practice
shots before you leave for your dream vacation. You won’t be sorry you did. You
are investing major dollars in your travel experience and camera equipment. Get
the best out of your investment.
So lets get down to business. Here is my list of five
essential, most important, must remember, critical tips for taking better travel
photos. My single most important tip, developed from viewing thousands of
travel photos belonging to my friends and relatives is this: get closer to your
subject. If you can, get physically closer, if not, use your zoom lens. Keep
in mind that zooming will enhance camera shake, often resulting in a fuzzy or
blurry image, which is why I prefer to get physically closer. If you are taking
a picture of your family in front of the Eiffel Tower, they are the primary
subjects of your image so get close enough to them to fill the frame. You can
include an element of the tower as part of the shot to give the photo some
context. Save that great full length shot of the Eiffel for another frame.

My second best all time tip is to avoid camera motion when
capturing that great image of your wife trying on new sun hats in Mexico. For
most of us, lugging around a tripod on a vacation is not a vacation. They can
be heavy, bulky and your wife’s arms will get sore carrying it for you. So what
to do? First off, there are many occasions when a mini 6” pocket size tripod
will do just nicely, thank you. If your point and shoot has a tripod socket on
its bottom, I would strongly recommend buying one of these. You can set these
up on a table and use your camera’s self timer to get great shots with you
actually in them, just to prove you were there. You can also brace your camera
on a fence, tree branch or any other stationary object, including your wife’s
shoulder. And last but not least, squeeze that shutter gently but firmly.
Don’t jerk the camera down when you take the shot. Finesse the shutter button!
A firm camera foundation is essential for night photography, where shutter
speeds are much too slow for hand holding.

Coming in at number three on my list of five tips is a
hodgepodge of composition cautions. Watch out for clutter in the background of
your shot; don’t grow signs or trees out of your loved ones heads; position your
horizon to enhance the subject of your shot – high to emphasize the land or sea
and low to show the sky and be sure its level or objects will look like they are
ready to fall out of your picture. Make use of reflections in water or the
glass windows on office towers for some creative work. Look for patterns in
nature and man-made objects. Try to take people portraits in shade on really
bright days and use the early and late sun for your exquisite landscape/seascape
shots. Your subject doesn’t always have to be in the center of your frame.
Move the subject to the left or right third of the frame for a more pleasing
composition. If you are taking a picture of your dog or cat and they are facing
left, put the subject in the left third of your frame otherwise they may bump
their nose on the right side border, or at least it will look that way. Okay, I
cheated here. There is obviously more than one tip but my editor said I could
only do one article on this subject.
 
Tip number four has to do with your camera flash. Most
built-in flash units on point and shoot cameras have a very limited range. By
very limited I mean 6 to 8 feet from camera to subject. So taking an indoor
group shot of all the new friends you made on your trip from 20 feet away - on
the other side of the room - because you want to get them all in the picture -
isn’t going to cut it. Move the group outdoors to a shady place or get closer
to your subject so your flash will have a chance to do its work or make more
light available in the room. Some shots just aren’t doable, so know your
camera’s limitations. You can also use your flash for daylight shots outdoors to
eliminate shadows under peoples eyes or for close-ups of flowers.

Last but not least is tip number five. A good photo tells
a story about the subject and evokes an emotion. By using the techniques you
have learned such as getting closer to your subject so attention is focused on
what’s important, being aware of what’s in the background so it compliments the
subject rather than distracts, framing your subject in a more pleasing way,
avoiding camera motion, using your flash properly and being aware of the light,
you can help to set the stage to capture those great travel photos. Photography
is painting with light, so be an artist! Experiment with your photography. Tilt
it. Try the same shot in portrait and landscape position and see if it alters
the feeling of the image. Use your camera often. With digital, take 5 or 6 or
even 10 shots of a subject from different angles. You will find one that stands
out, and you can always delete the obvious duds.

With these new skills you’ll have your friends lining up to
look at the photos of your next trip.
© 2007 Carlton McEachern
Carlton McEachern Photography
carlton.mceachern@sympatico.ca
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