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Amon Carter Museum
Celebrating America: Masterworks from Texas Collections
By Madelyn Miller
I have just moved into a historic building and am now
living in the original Dallas Sears Roebuck Building. My loft is where the
mail order linens section was, I am told.
Living in a historic building and being home this month
to unpack has given me time to think about my roots. So this new exhibit
fits in perfectly with my frame of mind.
“Celebrating America: Masterworks from Texas
Collections,” a special exhibition organized by the Amon Carter Museum that
brings together 59 American masterpieces drawn from private, public and
corporate collections throughout the state of Texas, opens September 14 at
the Carter and runs through November 17. It is accompanied by a 146-page
catalogue that features an introductory essay on the history of fine art
collecting in Texas.
This group of paintings, sculptures, watercolors and
photographs celebrates the achievements of those collectors in Texas whose
holdings reflect the essential nature of our country’s character. From a
pair of 18th-century portraits by John Singleton Copley to important works
by great American artists such as Winslow Homer, Edward Hopper, David Smith,
Alfred Stieglitz and Garry Winogrand, the variety of the objects in the
exhibition speaks to the regional, cultural and ethnic diversity of America.
“Celebrating America: Masterworks from Texas
Collections” is informed by the Carter’s own collecting philosophy. The
museum was founded in 1961 to house Amon G. Carter’s (1879–1955) collection
of 400 works by the two greatest artists of the American West, Frederic
Remington (1861–1909) and Charles M. Russell (1864–1926). Since then, the
museum has broadened its collecting perspective, seeking out the finest
examples of American art and building a collection of masterworks that
emphasizes key moments in American art and culture. A majority of the
artists whose works are in the exhibition are also represented in the
Carter’s collection, which offers visitors a rare opportunity to compare an
artist’s work from different career periods.
“By bringing together outstanding works by artists in
all media, this exhibition celebrates the philosophy of quality that has
governed the Carter’s collecting activities since its inception,” says Amon
Carter Museum Director Rick Stewart. “And perhaps most importantly, this
exhibition celebrates the public and private collections in the state of
Texas, where the study and appreciation of American art have flourished for
more than a century.”
“The depth and caliber of American art located in
Texas art collections, as well as the strength and cohesiveness of these
collections, was surprising,” adds Chief Curator Jane Myers, whose research
for the exhibition began in 1998. “There have been a great number of
outstanding collections assembled in Texas since the turn of the 20th
century, when the citizens who populated the state’s burgeoning communities
began a series of earnest campaigns to bring art to the prairies.”
“Celebrating America: Masterworks from Texas
Collections” also commemorates the inaugural year of the Carter’s expansion,
which increased to nearly 30,000 square feet the gallery space in which to
showcase the museum’s collections and special exhibitions of American art.
Visitors are now able to view four times the number of artworks that were on
display in the pre-expansion building.
This exhibition is organized by the Amon Carter Museum.
It is made possible by a generous gift from Wells Fargo.
The Star-Telegram is the official print sponsor
of the Amon Carter Museum.
Public Programming in Conjunction with “Celebrating
America: Masterworks from Texas Collections”
Free admission. All programs are at the Amon Carter
Museum.
Gallery Talks Thursdays, 12:15–12:45 p.m.
September 26: “Georgia O’Keeffe in the 1920s: Her
Emotional and Physical Journeys” Shirley Reece-Hughes, Independent
Scholar
October 24: “Frozen in Time: ‘The Norther’ and Frederic
Remington’s Mastery of Bronze” Rick Stewart, Director
November 14: “Intimate Impression: Edward Hopper’s
‘House by an Inlet’” Rebecca Lawton, Assistant Curator of Paintings and
Sculpture
Film Series: “About the Artists” Thursdays, 5:30
p.m.
September 19: “John Singer Sargent: Outside the Frame,”
directed by Jackson Frost, 2000, USA, 57 minutes
November 7: “Ansel Adams: A Documentary Film,”
directed by Ric Burns, 2002, USA, 90 minutes
Special Lectures Thursdays, 5:30 p.m.
October 3: “Edmonia Lewis in Rome: A Nineteenth-Century
Black Woman Sculptor” Marilyn Richardson, Independent Scholar
October 10: “A Texas Scholar on Texas Collectors: Will
Hogg and His Remington Collection” Emily Ballew
Neff, Curator of American Painting and Sculpture,
Museum of Fine Arts, Houston
Lecture Series: “Making An American Masterpiece”
Sundays, 3 p.m.
October 27: “Helen and Tom, Chloe and Sam: ‘Beyond the
Power of Words to Tell’”
Sylvia Yount, Margaret and Terry Stent Curator of
American Art, High Museum of Art, Atlanta
For more information,
visit the museum’s Web site at
www.cartermuseum.org
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