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Igby Goes Down
Movie Review by Greg Ziglar
Igby not only goes down in this teen-angst film that is
very much removed from the traditional Hollywood teen movie, but he goes in
many different directions. He is trying to find his place in the world, just
like the rest of us. And this true to life search is what makes this movie
so good.
Played beautifully by Kieran Culkin, Igby is a bit
reminiscent of Dustin Hoffman’s graduate character. There is a scene,
reminiscent of The Graduate, near the beginning of the film in which
Igby nervously attends a party. Igby, at 17, is not quite so naive as
Hoffman’s older character. But that’s to be expected, given a span of
several decades since that landmark film. Igby’s emotional torment at
losing a girlfriend toward the end of the film is perhaps a bit overdone;
but that first lost love can be devastating.
A very early, bizarre exit by Susan Sarandon provokes
nervous laughter. She dies with her head in a plastic bag, with a look of
surprise on her face. Lucky for us, she reappears shortly thereafter and
pretty much steals the movie from everyone else.
As Igby is trying to sever ties with his wealthy
upbringing, Amanda Peet as Rachel plans to sleep her way into that same
wealth. (The song “Goldigger” is used appropriately here, and is from a very
original 2000 disc by Supreme Beings of Leisure) Rachel finds that
wealth in a sense, but goes down in several different ways, and in her final
scene of destruction, Igby changes direction again.
Somewhere in the middle of Igby and Rachel, there is
Ryan Phillippe. He plays Oliver, Igby’s older brother. Oliver is a
one-note heart-of-stone character, and Ryan is absolutely perfect in this
part. Oliver will succeed in life beautifully because there appears to be
no chinks in the armor.
Igby’s final change of direction may or may not resolve
his issues. After all, in the final shot, he is most likely carrying a lot
of baggage.
The bottom line here is that Burr Steers (also the
director) has written a great script that is funny and wise and painful. A
great script and Susan Sarandan adds up to a can’t miss film.
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