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Tacoma
Redefining and Refining
Its Image
By Toni Dabbs
Apparently tired of
being just a Seattle suburb, Tacoma is transforming itself into a
destination in its own right. Situated 36 miles south of Seattle on
Commencement Bay, the city that put the "Tac" in SeaTac Airport has chosen a
cultural path to take it out of the shadow of its better known Washington
state neighbor.
I had heard rumors
about this renaissance of the old lumber capital, but it took the opening of
its latest arty attraction to lure me there for a first-hand look.
The new Museum of Glass: International Center for Contemporary Art,
designed by acclaimed Canadian architect Arthur Erickson, is simply
stunning. Called "a new icon for Tacoma" by Mayor Bill Baarsma, it
originally was conceived as a showcase for the glass works of Tacoma native
Dale Chihuly. But at Chihuly's insistence, it evolved to become much more,
exhibiting works in a variety of media by artists from around the world.
Central feature of the
building is a 90-foot-tall stainless steel cone, jauntily tilted at a
17-degree angle. Erickson says the cone was inspired by the wood burners of
sawmills that once proliferated in the Pacific Northwest. It seems an
appropriate form to house the museum's Hot Shop Amphitheater, where guests
can sit comfortably in stadium seating while watching glass artists at work.
Remote controlled cameras suspended inside the cone project better views and
close-ups on a giant screen above the kilns.
Overlooking Thea Foss
Waterway, the Museum of Glass serves as a cornerstone for both Tacoma's
revitalized waterfront and the city's developing cultural corridor.
Connecting it to downtown is a 500-foot-long pedestrian bridge with three
permanent installations of Chihuly glass: "Crystal Towers," resembling giant
sticks of barley sugar candy; "Seaform Pavilion," containing a skylight of
multicolored glass forms; and "Venetian Wall," displaying 110 individual
glass objects.
Downtown Tacoma, like the city's hillside neighborhoods, is an
eye-pleasing mix of architectural influences, ranging from Victorian to
contemporary. Interspersed at frequent intervals among the bricks and mortar
are green spaces, small landscaped plots featuring artworks or fountains.
Washington State
History Museum, an entertaining educational center, was added to Pacific
Avenue in 1996, but its arched exterior complements Union Station, built in
1911, next door. Now a federal courthouse, the station has a 98-foot-high
rotunda decorated with Chihuly sculptures equal to its scale.
Beyond Union Station,
Tacoma Art Museum is constructing a grand new gallery scheduled to open in
spring 2003. Meanwhile, its exhibits, including the largest public
collection of Chihuly glass, can be seen in its more modest facility at 12th
and Pacific Avenue, several blocks away.
Tacoma Opera and Tacoma Symphony Orchestra have established reputations
that prompt people from Seattle to reserve seats. Both perform at the
Pantages Theater on Broadway, built in 1918 and restored to its original
Greco-Roman elegance in 1983. Also dating from 1918 is the nearby Rialto
Theater, a Beaux Arts delight shared by the Tacoma Youth Symphony, two
ballet companies and a chamber orchestra.
I took a break from
sightseeing to spend a few hours on Antique Row, one of the largest
concentrations of antiques and collectibles in the Pacific Northwest. About
a dozen stores line the section of Broadway between Seventh and Ninth
Streets, with more one street over on St. Helen's Avenue and along Opera
Alley in between. I ran out of time before I ran out of shops.
Although Tacoma has a
handful of bed and breakfasts, its choice of hotels is somewhat limited.
Sheraton has a 319-room property downtown adjacent to the convention center.
At Altezzo Ristorante on its 26th floor, guests can dine on Italianate
cuisine while enjoying an unobstructed view over Thea Foss Waterway toward
Mount Rainier.
However, I stayed at the 90-room Silver Cloud Inn, part of a Pacific
Northwest chain, on the shore of Commencement Bay midway between downtown
and Point Defiance. With fireplaces and Jacuzzis in some rooms, it offers
virtually everything except a restaurant, but several of those are within
easy walking distance along the pleasant Ruston Way promenade.
I quickly discovered a
swimming beach close by and a shop where bicycles and roller blades could be
rented for use on the waterfront promenade. After all, in the Pacific
Northwest, no one wants to be a culture vulture all the time.
IF YOU GO
Job Carr Cabin
Museum (foot of Carr Street) is a
reconstruction of the home built by the city's first settler in 1864,
containing artifacts, photos and historical displays.
Karpeles Manuscript
Library Museum (407 South G
Street) has a collection of original drafts, letters and documents written
by people of historical significance.
St. Peter's Church
(2910 North Starr Street) was Tacoma's first place of worship, built in
1873.
W.W. Seymour
Botanical Conservatory (Wright
Park) is one of only three Victorian style conservatories on the West Coast,
constructed in 1908.
Photos by Toni Dabbs
FOR MORE INFORMATION
Tacoma Regional
Convention and Visitor Bureau
PO Box 1754
Tacoma WA 98401-1754
Ph: 1-800-272-2662 or
1-253-627-2836
http://www.traveltacoma.com
Copyright 2002 by Toni
Dabbs. This work, including photographs, is protected by copyright and may
be used only for personal non-commercial purposes. All other rights are
reserved, and commercial use is prohibited without permission of the author.
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