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When the “Wedding Crashers” Invaded Annapolis

By Bijan C. Bayne

Seafood, historical homes, a prestigious campus, boat rides on the Chesapeake; all these attractions make Annapolis a popular choice for destination wedding-goers. With its seasonal weather and crabcake delights, the city is drawing more and more couples to tie the knot amongst the activities of their guests.

At the campus of the U.S. Naval Academy, chapel weddings "under the swords" take place, in season, every hour on the hour on Saturdays. Any Academy grad may apply, and plenty do. Visitors will not only witness the wedding parties from these unions, but those of the more civilian variety, at local restaurants, bed and breakfasts, and hotels such as the new Doubletree or Waterfront Marriott. There are wedding packages, wedding cruises, and the ceremonies themselves are held in picturesque Georgian setting such as the William Paca House and Garden. Sailing buffs can rent a harbor and bay cruise aboard the 74-foot schooner Woodwind, which appears in the sailing scene in the hit movie "Wedding Crashers". Yes, Vince Vaughn and Jayne Seymour were here, and Woodwind Captain Jennifer Brest commanded the craft for the film's "to the family estate" scene.

Brest was asked how the Woodwind happened to be chosen for the hit film. “In early April 2004, a friend at Annapolis Yacht Company (a brokerage for “for sale” yachts) was called to find a beautiful sailing yacht that was for sale.  My friend was told that they party did not want to buy it, but instead wanted to charter it for a possible t.v. commercial.  He did not have any sailing yachts like the “scout” was thinking of, so he told them about our boat (and some others), and the crew  loved the look of Woodwind.  We arranged for the boats to be seen.  The scouts thought the boat would be perfect, but the directors, and camera crew had to see it.   A week later ten folks came down to the boat to check her out, including the directors, camera crew, actress Rachael McAdams, and the production staff including the marine coordinator that we ended up working with.  I remember sitting with the marine coordinator waiting for them to come to the dock.  The director was walking down the dock, and walked past me, and started sprinting to the boat.  He was so excited to see the boat!  He started running around the boat like a little kid saying “look at this great shot, over Christopher Walken’s shoulder while he is at the wheel.”  And, “Look at this shot (pointing to the bow) this is where Rachael will pull in the sail, and her & Owen (Wilson) will have their moment.” They were aboard for about 45 minutes, loving the noise of the winch, and playing with our jib traveler (we have a boom on our jib).  As they left the boat, the director said to me, “this yacht has exceeded my expectations, I am very excited”.

The film crew rented the Woodwind for nine days. A whole production day was spent waiting for high tide to come in a shallow creek they wished to film in, which was under normal circumstances too narrow for a boat of the schooner’s depth to move.

Halfway through the filming Rachael McAdams’ scarf flew off her head and sank.  The crew didn’t have a backup scarf, so instead a much darker scarf was used, and they re-shot the entire scene.  This occurred halfway through the day, and a thunderstorm approached.  All the “talent” was whisked off the boat to an enclosed powerboat on stand-by for such emergencies.  The camera crew, prop folks, sound, and video all stayed on the boat and “had a blast”, according to Captain Brest. One of the Woodwind’s crewmembers, Jon Krisman served as an extra for the “first mate”.  His hair had to be cut because his hair looked to similar to Owen Wilson’s. During lunch one day, everyone entered the lunch tent, and it was Captain Brest’s birthday. The locations scout told the pastry chef, who baked a birthday cake that read  “Happy B-Day Capt. Jen!”

“After the filming that day,” added Brest, “ they needed us back to the Choptank River, near Oxford to continue filming for the sailing scene.  We had to go back 45 miles to the original waters we were shooting in the day before.  This trip took us seven hours, each way.  Since the boat was dockside, we did not need a change of crew, and we got underway at 8:00pm.  We then arrived shortly after 2 a.m., for another 6 a.m. start.” That’s Hollywood, Chesapeake Bay style.

On this day, Brest was lying down steering the boat in the scene where Christopher Walken appears to be steering. “To make sure we were going in the correct direction, I actually had a hand-bearing compass on my chest to make sure we were straight.  This was a little intimidating under Walken’s feet.” says the captain. It took some prompting by the “invisible” captain to get Walken to stop mixing up “Windwood” with the name Woodwind in the line where he invites Owen Wilson’s character to come steer. Later, Walken sang “Fly Me to the Moon” to all assembled.

Since “Wedding Crashers” and “The Notebook” had the same publicist, and Rachael McAdams was in both, a private screening took place in Easton, Md. A month before “The Notebook” opened in L.A., and Brest and crew were invited. They sat behind the cast during the preview. Brest and her staff also attended a premier in Washington, D.C. where ESPN “Pardon the Interruption” and “Monday Night Football” co-host Tony Kornheiser, and one of President Bush’s daughters were “laughing their heads off”.

“People constantly ask if this was the boat in the movie, and want to see the photos of the filming aboard, and to hear the stories.  Even other powerboats come speeding toward us and yell over to us ‘is this the boat that was in the movie “The Wedding Crashers”?’ said Brest. Guests say things like, “If Christopher Walken can steer this boat, I wanna try.” Three months after the film opened, the Naval Academy midshipmen were lined up for their march into the stadium for a football game. The Woodwind sailed close to the Academy seawall, and each company yelled out a different funny line from the movie toward the boat.

Annapolis’ attractive elements keep the city's wedding planners busy, and its lodging booked. Despite all the bridal bustle, the capital remains a walkable, friendly destination, full of boutiques, galleries, and restaurants for every taste. For the latter, lunchgoers should try Irish-themed Galway Bay on Maryland Ave., and dinner groups will find the Doubletree's Ports of Call restaurant—specializing in dishes from ports such as Charleston, Boston, and New Orleans—and West Street's trendy Kyma to their liking. Don't miss a daytime stroll to homemade ice cream biz the Annapolis Ice Cream Company, where patrons (many of them Academy students) have left signed plastic spoons of all colors in a collectively decorative wall display.

The sunsets, the Chesapeake Bay, the pomp of the Academy weddings, and a movie with a happy ending- no wonder not all the knots being tied in Annapolis are of the sailors’ variety.

 


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