REFLECTIONS ON MY TRIP TO PARIS
By Paula Joyce, Ph.D.
I had the pleasure of spending a week in Paris recently.
Since it was August and vacation time for many Parisians, I was unable to meet
silk painters or see silk exhibits as I had hoped. My main goal of receiving
inspiration was easily met, however. There was no way to miss in the home of so
much great art.
I feel a special connection with Monet, who has had a major
influence on my painting. Although I have been to his home and gardens at
Giverny, it is in Paris that I most feel the beauty and power of his painting.
This year I discovered the Musee Marmottan, which has a large collection of work
donated by Monet’s son. No reproduction I have ever seen has done justice to
the way he varies color, brushstroke, paint thickness, and the placement of
paint.
The depth of feeling Monet evokes with a few simple strokes and the
illusion—or impression—of a shape thus created was astounding to see in person.
Nothing was sacrosanct. At times Monet dealt haphazardly with the edges, or
even left them unpainted, sacrificing them to the essence of the moment. His
sunlight was always captivating. At times it glistened with life as iridescent
paint bounced off the canvas and grabbed my attention.
Wandering the streets Monet frequented also brought me
closer to his work. I stopped to study the interplay of colors on Notre Dame
Cathedral as the sun was setting. For a moment the cars, crowds and noise
vanished as I imagined Monet there with his easel, hurrying to capture the image
on canvas. When the light was gone for the day, I could see him peacefully
packing up his paints, turning and walking a few steps to the Seine to relax
before going home.
I was inspired just walking down the street. I would get
lost in the beautiful architecture, often set off by the angles and shapes
created as three or more streets poured into a central spot. And, of course,
there’s the fashion. I didn’t need to look in store windows when the streets
were filled with French women displaying their gift for style, grace and
elegance.
The flow, shape and drape of their outfits delighted me--a slit here
or there going up to this height or that, and then suddenly a slanted line or
unexpected detail would catch my eye. The variety and intrigue was endless. As
I lingered at cafes, museums, famous squares, and fountains, ideas came to me as
if a flood gate had been opened. I carried paper and pencil so as not to lose
even one idea.
The beauty, the spontaneity and the joy of the city speak
to my heart. I go into a kind of shock when I leave, which takes me days to
shake. Bit by bit I reawaken to the surroundings of my own home. Yet a piece
of me remains in Paris, thriving and forming a bridge to my life across the sea.
Paris Opera, Place de Vendome and Eifel Tower by Lucy Komisar
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